credit where credit’s due

Professor Marta Braun of Ryerson (now TMU)

Toronto. The PHSC from its beginning has been blessed with many well educated members – lawyers, professors, software designers, managers, professional photographers, etc. For example, issue 23-4 picks out Dr Marta Braun, professor of  Image Arts at Ryerson Polytechnic University (now TMU) in Toronto.

Marta spoke at our October, 1994 meeting on Marey  and his photographic experiments on motion studies.  In 1992 her book on Marey was copyrighted and published in hard cover to world-wide accolades. And four years later (1996) she was honoured by the French government.

The journal article is written by Bruce Piercey of Ryerson/TMU and begins, “Marta Braun, professor of Image Arts at Ryerson Polytechnic University in Toronto, has been honoured by the French government for her acclaimed book on the scientist and photographer Etienne-Jules Marey.

“Prof. Braun was awarded the Knight of the Order of Academic Palms by the government of France in a special ceremony during the “Alliance Française” in Toronto. The French consul general presented her with the medal which is given to those who have rendered services to the cause of French knowledge, culture, scientific progress and education.

“The award is equivalent to the Legion of Honour, being the highest honorific title for academics; both awards were created by Napoleon 1st.” …

Members can look up and read about Marta in the issue 23-4 pdf file on the free members-only DVD/thumb drive. See above or at right under Membership to join/renew (please indicate which). Questions? Email Lilianne at member@phsc.ca.

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just desserts

Jeffrey Wood on way to hearing last Friday (bookcased by his legal team. Photo by Chris Tanouye for the CP

Toronto. My friend Clint Hryhorijiw sent me an email recently with a link to CTV news. The next day I had a phone call from good friend George Dunbar who read the same article in the Globe and Mail (The Globe article is behind a pay wall which may restrict your reading).

Some time back (March 16, 2025), I did a post on the arrest of Mr Wood who stole a famous Karsh portrait of Churchill in an Ottawa hotel and replaced it with a fake to deter discovery.

Both Clint and George contacted me to say Wood was sentenced to two years less a day for the theft given the extenuating circumstances. The article is of interest as the portrait is famous, and the photographer was also based in Ottawa. Small world indeed!

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how much exposure?

girl on beach by John Meredith as displayed in the 1954 Stereo Realist Manual by Morgan & Lester

Toronto. The digital fraternity (and in the waning days of film) have no difficulty with exposure – the camera does the heavy lifting. It wasn’t always so. All of the 19th century (well at least when photography experiments began) and over half the last century, exposure calculation was a major effort.

Ev Roseborough reminisces in this article in issue 23-4 about those earlier times when exposure calculation was both paramount and incredibly difficult for photographers (especially green photographers). The article is reproduced here (click on the icon at top left to see it).

And of course members can also see it in the pdf file for issue 23-4 on the free members-only DVD/thumb drive. Join now – just follow the note above and/or at right. Questions? email Lilianne at member@phsc.ca.

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dating those stereo cards

a Holmes stereo card viewer

Toronto. A common sight at our fairs is the ubiquitous ‘stereo card’. You know, the usually slightly curved cards with two similar images ‘glued’ to the card. Often the cards are undated and it’s difficult to estimate a date.

Past-president, Les Jones, himself a professional sports photographer and entrepreneur (and future author) solved this dilemma by reaching out to others and creating a chart to assist in dating stereo cards.

This chart was reproduced and distributed in issue 23-4 of the journal (January, 1998). The preamble gives this caveat and information sources, “NOTE: All dates are approximate: some photographers and publishers continued to use a certain style long after it had been discontinued elsewhere. There are also differences between European (E) cards and North American (NA) cards. Information courtesy of William Darrah and George Gilbert.”

Members can view and print the chart from the issue 23-4 pdf file on the free members-only DVD/thumb drive. If you have any questions on membership, drop Lilianne an email at member@phsc.ca.  To join, see MEMBERSHIP above and/or Membership at right.

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…two for the money …

Earlier version of the No. 2 Folding Kodak – from the Robert Wilson Collection

Toronto. In issue 23-5 (spring 1998) the late Bill Belier began his long running column, “A Treasure From My Collection….”. Featured are two “No. 2 Folding Pocket Kodak” cameras from the late 1800s/early 1900s when George Eastman was putting the name ‘Kodak’ on the map.

The cameras are from the collection of the late Robert Wilson who provided the text (edited by Mr Belier).

Bill introduces his new column as, “Commencing with this issue, ‘A Treasure From My Collection’ will be a regular feature of Photographic Canadiana. I have agreed to edit this new column with the hope members of the Society will take the opportunity to share treasures from their own collection.

“Now a treasure does not have to be a rare camera. In fact, it may be an item other than a camera – the criteria being: it is a photographic article that YOU cherish and is part of your collection. Just as interesting as the item’s technical data, is the story leading to its possession. Where did you find it?…was a trade involved?…was it a sleeper at a flea market?…was it a basket-case discard?…or was there some other element of discovery to make it interesting?

“If you have such an item, please contact me at our monthly meetings, at my home address listed in the membership directory or through editor Bob Lansdale of Photographic Canadiana.”

You can read the edited words of Dr Wilson in the pdf file for issue 23-5 on the free members-only DVD/thumb drive. Not a member? Follow the directions at MEMBERSHIP above and/or Membership at right. Questions? Email Lilianne at member@phsc.ca.

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fair findings c1997

a Pilot 6 camera made in Dresden, Germany

Toronto. The spring fair back in 1997 was a resounding success by all accounts. The late Bob Lansdale, assisted by another PHSC stalwart, Tiit Kodar, photographed selected cameras to accompany fair chairman Mark Singer’s report.

Now, 28 years later, we are hosting our 50th spring fair. And like in 1997, there will be lots of great gear for your consideration. As the attached May 25, 2025 fair poster shows, today’s fair is at the Trident Hall an Evans and Islington.

Easy access, free parking (at the hall and nearby), cheap admission, and great food. That plus bargains for your collection be it, film, digital, photos, cameras, lenses, etc. And a place to see friends and collectors – old and new!

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what’s the telegraph got to do with it?

Daguerreotype portrait of Samual F, B. Morse c 1850 – courtesy Library of Congress

Toronto. American Sam Morse planned to be an artist. He was in France in the late 1830s pursuing his artistry when he met Louise Daguerre in 1838. The following year, he enthusiastically embraced the Daguerreotype technology and brought the new art to America where an exuberant and boisterous population embraced it warmly.

Planted in fertile ground, the art exploded in its use. Photographers and studios grew like weeds (Morse had his studio by 1840 and later trained many budding photographers like the civil war photographer Matthew Brady). By the late decades of the 19th century the forefront of this art had shifted to America with the likes of T & H Anthony and Eastman Kodak,

Meanwhile, Samual Morse  became a household name a few years later as the inventor of the telegraph and the Morse code. …

All this is from an email I received a couple of days ago from Les Jones (sports photographer, author, entrepreneur, and past president of the PHSC).

Les wrote in part, the “Metropolitan Museum of Art, New York,  temporary exhibit presents “The New Art: American Photography 1839-1910” drawn from the Schaeffer Collection.

“222 (mainly impressive) images, most never seen before, and a few 19th century cameras. www.metmuseum.org  Through July 20″ 2025.

Les gives his source as, the “Extensive write-up in Antiques & Auction News May 16”.

Be sure to click on and read the links in this post!

NB. The post title is a riff on the 1984 classic song by Tina Turner, “What’s Love Got to Do With It“, sung here by the lady herself.

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no, but this is fair!

Poncho as a pup. What can I say – he is a beagle. From the Pooch Cafe Comic

Toronto. Come on down to our Spring Fair – at the usual location May 25th, 2025 (okay, this coming Sunday). There will be oodles of great stuff to see and buy, nicely augmenting your collection. Great food, free parking, cheap admission …

What’s not to love? All that and see old friends once again. The comic panel at left is from Pooch Cafe, which was one of my favourite newspaper comics a few decades ago when newspapers were big and informative.

The little dog, Poncho, shown here is the protagonist of the series, he is a wise guy forever getting in trouble. The preceding panels show him finally being picked, only to be kept in the breeding kennel for de-worming.

You may be surprised, but our very first fair was in 1975 (thanks, Patrick), before I landed back in the big smoke. Hard as it is to imagine, this will be our 50th consecutive spring fair here in the GTA. Each fair has been a photography collector’s dream – always something to see and perhaps buy to make his/her collection so very, very, special.

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just another source, that’s all

a tailor shop in 1888 NYC using sweat-labour – photo by Jacob Riis

Toronto. From my first working days, I bought all available photo magazines to learn more about the art. The articles basically taught the ‘how’ of shooting and processing, with various camera reviews tossed in from time to time.

My introduction to photographic history was in 1971. I had read a review of the Gernsheims update in 1969 to their 1955 opus on “The History of Photography”. The photo at left ( by Riis) is just one of the many plates in the massive book.

Beyond history of the art, books seemed rather sparse. Stores at the time wanted to sell you the “latest and greatest” in the photo world which back then was usually colour darkroom gear like photo paper,  drums, motor bases, home developer kits, ‘coffee cup’ heating elements for the solutions, colour filters, etc.

In mid 1972, I bought my first Leica and began a search for accessories, lenses, and some history of the industry. During a trip to Toronto three years later, I saw a small ad in the Toronto Star about a new society dedicated to photo history and collecting. I joined the group in the fall of 1975, just missing the first year “charter member” tag (although my membership number indeed fitted in that time span by accident).

This was the beginning era of camera societies, books on cameras, catalogue reprints, fairs, speakers and a wealth of sources available to all who persevered. A few decades later, film and its various cameras and products faded into history as the digital era unfolded.

Sensors replaced film and there was the usual hectic pace of increased resolution, and sensitivity, and decreased noise.  But as the sensor was integral to the camera, new models were required – over and over again.

One ray of sunshine was the birth and growth of the internet. All of a sudden manual reprints were offered (free or for a modest sum), collectors posted information on their collections, manufactures climbed on board posting notes about their current products and over all history.

The internet caught on and every one could have an ’email’ address and even small groups could post a web site. While some organizations began to ‘monetize’ their web sites, many others offered information for free or for a small donation.  The downside of digital technology was the rapid decline of print materials – newspapers, magazines, books, etc. But time moves on and once solid sources fade into history The wide resources of the internet are “just another source, that’s all”!

NB. The title is a riff on “Another Brick in the Wall“. a song from the Pink Floyd rock opus, “The Wall“.  I have the dual CD and the LP. One of my favourite groups.

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May 2025 PHSC Newsletter issue 25-5

 

PHSC News issue 25-5

Toronto. Editor Patrick Gunn’s latest opus is now out. It’s another impressive issue!

The quality and layout  are impressive – and this is an all volunteer operation. A society like ours relies on volunteers, especially those who come with envious talent! ascent talent.

Click here for a copy of 25-5 or visit NEWSLETTER above for this and all other issues. Want a personal copy (notice sent directly to your in-box)? Well, simply email news@phsc.ca and be added  to our MailChimp list.

This issue is free and contains many news items and announcements in its 17 pages. Remember, drop editor Patrick Gunn (or me) a line if you have/want specific photo gear included in the newsletter notices – lots of space in this age of electronic files!

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