Newsletter 25-2 issued

PHSC News – issue 25-2

Toronto. Editor Patrick Gunn has put together an impressive issue for February. A fine example of his artistic and writing talent – the issues just keep getting better!

Patrick tells us the basic framework including non time-sensitive articles are already created.

Click here for a copy of this issue or visit NEWSLETTER above for this and other issues. Want a personal copy with notice sent directly to your in box? Then just email news@phsc.ca and I will add you to our MailChimp list.

This issue contains many news items and announcements in its 16+1 pages. Have a gander at the striking layout and articles. Remember, drop Patrick or me a line if you have/want photo gear.

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a visit to the great yellow father (north)

a trio of Amigos – Bill Kantymir, Les Jones, and Larry Boccioletti visit Kodak Canada

Toronto. In March of 1996 (same year as this site was launched), president Les Jones and two side-kicks, Bill Kantymir and Larry Boccioletti visited the facilities of Canadian Kodak. The photo at right is from the issue 22-1 enhanced by Topaz Photo AI and Affinity Photo.

Ev Roseborough recorded this event in issue 22-1 of our journal with the article, “PHSC Guests of Kodak Canada”, written by Larry Boccioletti. Larry’s article begins, “In March, President Les Jones, Bill Kantymir and myself were guests of Bonnie Chapman, Kodak Canada ‘s Director of Corporate Sponsorships.

“We were privileged to be given short tour of the Kodak plant. Because of the need to prevent contamination, meticulous attention to cleanliness is evident, and we donned white coveralls and hair coverings. Every door we went through had sticky pads on the floor so that any dirt on our shoe soles would be removed.

“We watched rolls of support materia(uncoated film base) being unwound inta coating machine by robotic vehicles running on magnetic tracks in the floor. After coating, the rolls, 39 inches wide and weighing hundreds of pounds, wersent to the next building, for either export to other Kodak facilities worldwide, or for slitting and spooling for the Canadian market.

“In the manufacturing area we enterean elevator, and as the doors closed, the lights went out and our escort produced a flashlight throwing very dim green illumination. The elevator too, had dim green lights along the baseboards but it was still impossible for me to distinguish any images. Im sure it would take a long time for my eyes to become accustomed to the darkness.

“Our escort, Gord Morse, guided uinto what seemed like a very large hall way which lead to the control room. It too, was lined with green dim lights alonthe baseboards. He call ed to a persositting in the dark and they had conversation. It was strange knowing thathese persons spent the better part of day in total darkness.”

Like all good things the film and phot paper industries were decimated by the influx of digital technology. Kodak’s mighty presence here and in Rochester was similarly decimated – building were destroyed, and her a remaining building was to become a subway station.

Members can always see the rest of Larry’s article in the pdf version of issue 22-1 on the free members-only DVD. Join now – the MEMBERSHIP menu above for paying by cheque or the PayPal paragraph at right to use  a credit card or a PayPal account. Questions? See Lilianne at member@phsc.ca.

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where oh where has my …

a glass slide of a dog (terrier) taken in Bath, England by a George Bath c1920s or 1930s

Toronto. … little dog gone? As the singer sang so sadly. At left is one of two glass slides of terriers with no date, purpose, etc.

Photo collectors often group their collection by kind and search shows, fairs, auctions, antique shops, junk shops, etc, for a specific type of photo to add.

The photo shown here could be categorized as glass slide, positive, animal, dog, pet, etc. by various collectors. The original is well exposed and sharper than shown here.

Be sure to attend our events this year for items that complement your own collection. Date and location, once confirmed are shown to the right. A post is pinned to the top of the front page as the event date draws closer.

PS. If you live in Ontario, be sure to vote today!

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fair weather coming …

PHSC spring fair, May, 2009

Toronto. In response to our newsletter editor’s request, president Clint Hryhorijiw promptly offered this list of coming fairs and auction of interest to photographic collectors everywhere:

PHSC Toronto auction (date to be determined)
London Ontario Vintage Film Camera Show on Saturday, April 26
PHSNE Photographica Show, Boston, (also) Saturday, April 26
Montreal Camera Show Sunday, April 27
PHSC Toronto Spring Fair Sunday, May 25 (noon to 4:30)
Toronto Camerama Sunday June 6
PHSC Toronto Trunk Sale,  Sunday, July 13, 8am to 1pm
Toronto Camerama, Sunday, September 28
Ohio Collectors’ Show, Sunday, September 6
MiPHS Detroit Camera Show, Sunday,  October 5
PHSC Toronto Fall Fair, Sunday, October 26 (noon to 4:30)

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under the double ‘U’

Rusty in 3D using Polaroid colour film and a Leitz stereo adaptor for an old Leica

Toronto. Before television ever existed and even before movies gained any traction, we had stereo B&W cards made by Underwood & Underwood. As a child in the mid 1940s, I  remember visiting a relative’s farm near-by and being enthralled by a basket of stereo cards and a viewer while the grown-ups talked in the next room. Originally the cards were intended as entertainment, travelogues, and educational accompaniment.

The other day I received an email from member Jeff Ward in Halifax N.S. Jeff recounts in the email. “I am sharing a recent CBC news item from St. John’s  NL (below) because it may be of stereo-photographic interest.

“It is about a mystery being solved by a CBC reporter to determine the name of the photographer who visited a number of outport communities in Newfoundland around 1911, resulting in a fascinating series of about 40 stereoviews. The reporter determined that the images were likely created at the behest of a Methodist organizer from Ontario named Frederick Clark Stephenson (1864-1941) who had once worked as an agent in Canada for Underwood and Underwood. He intended the stereos as a way to show would-be missionaries what it was like in the outports.

“The CBC reporter thinks she has hit a brick wall, but I am just wondering whether members of PHSC or stereo collectors may know who U&U’s photographers were, and who it might possibly have been that was sent to Newfoundland. The images are quite nicely done.”

If you can assist, drop me a line at info@phsc.ca and I will pass it along. And remember to visit our events this year. You never know but there might be a stereo gadget or special card just for your collection!

NB. The post title is a riff on an old song, “Under the Double Eagle“. The song (march) is played here by the US Navy Band, I first heard it on an Audiophile recording I bought that used 33 1/3 stereo technology and a speed of 78 rpm (about 10-15 minutes per side of a 12 inch LP).

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a lighter shade of pale

showing the effect of ‘blown highlights’ exposure? processing? fading?

Toronto. In the days of film and plates, especially those of ultra slow media, photographers struggled to get correctly exposed and developed negatives and prints. Judicious use of  lighting helped with the slow and contrasty media.

Both highlights and shadows in the print had to show some detail to be deemed properly exposed and developed. Sadly there were many cases with blown highlights or inky black shadows.

The studio cabinet card here shows the effect of blown highlights – no detail what-so-ever in the ‘whitest’ areas of the print. Under-exposed  or under-developed negatives or prints led to this situation as did fading over time.

Collectors today strive to get crisp, well exposed, well developed prints for their collection. Sometimes a less technically perfect print is accepted, especially if the content is unique: outdoors, a work scene, attractive subjects, or a famous person.

Be sure to visit our events for collectible photos, cameras, etc. Check the right side of this web site for our 2025 events as they are confirmed. A post will be pinned to page one a few weeks before the event.

The post title is a riff on Procol Harum’s  monumental song, “A Whiter Shade of Pale“.

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Hey! … four eyes!

a four lens camera creates a quartet of ‘identical’ portraits on one plate – photo by Bob Lansdale

Toronto. Little school kids can be unintentionally cruel. Any kid who falters or has an obvious medical issue gets an immediate ‘nick name’. For example, children who have corrective glasses are almost automatically called ‘four eyes’!

In the first decades of photography one way to over come copy issues was to use cameras with multi lenses – four or more. The cover shot for issue 21-5 shows an example of a four lens camera. I used that  image from a pdf of 21-5, adjusted in Topaz  Photo AI, Focus Magic, and Affinity Photo.

Inside the issue the photo is described as follows, “Four lens wet-plate camera owned by Les Jones is typical of the system used to produce duplicate images on one photographic plateImages are usually unrecognized as stereos.”

An article in the issue (21-5) called ” The Unnoticed Stereo” was written by Bob  Lansdale,  assisted by Bob Wilson. It begins, “This story started to unfold when Irwin Reichstein of Ottawa submitted a Xerox of two cartes-de-visite by George F. Maitland. Both photos looked identical but one carried the stamp of Maitland ‘s St. Catherines Gallery (1868-1874) while the other indicated his location as Buffalo, New York. It appears Maitland followed the style of other Canadian artists by establishing a studio in the more active market of America’s largest inland port.

“The photos show the grave of William Maitland with a lady (inscribed as “Minnie) sitting close by. The picture had either allegorical interpretation or a close family connection.

“I was quite surprised when Bob Wilson, free-viewing the rough Xerox  declared the pictures to be a stereo pair. I‘m always amazed how some individuals can dislocate their eyeballs in order tmerge two separate photos into one stereo image. Mr. Maitland must have photographed the scene with a stereo camera then split the negatives to each of his galleries to provide cards for the collector market.”

Read the fully illustrated article from 21-5 (and the rest of this and other issues) on the free members-only DVD. Joining the PHSC is easy – see the menu item MEMBERSHIP above (cheques, etc) or at right (credit cards and PayPal). Please indicate whether the membership is NEW or RENEWAL. Any questions can be answered by Lilianne. Her email is member@phsc.ca.

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did ja ever hear of Vittorio Sella?

Himalayas (early 1900s)
by Vittorio Sella

Toronto. Our president, Clint Hryhorijiw, sent me an email a week or so back saying, “Got this cool thing from Cindy [Motzenbecker]”, along with a link to a BBC article and photos.

Turns out Vittorio Sella was a European photographer famous for photographing the Himalayas over a century ago. The article titled, “Frozen in time: Rare early images of the Himalayas from Italian pioneer” by Sudha G Tilak in Delhi, India, discusses and illustrates the  story of Sella and his accomplishment, now on exhibit in Delhi.

Tilak begins his article, “Vittorio Sella was a pioneering Italian photographer whose work at the turn of the 20th Century shaped both mountain photography and mountaineering history. His rare images of the Himalayas remain some of the most iconic ever captured.

“A new ongoing show in the Indian capital, Delhi, called Vittorio Sella: Photographer in the Himalaya brings to life the breathtaking grandeur of the Himalayas through his lens. …”

Click on the article title above to read all the story and see a selection of photographs by Sella.

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1995 was not nice to us in the big smoke

Cavouk at his studio on Bloor Street in the Colonnade c1974 – courtesy of Toronto Star

Toronto. In 1995 we lost three from the photographic community: a collector, a store owner, and a professional photographer. The ‘in memoriam’ for Harold McNutt (Bill  Belier) and Erik Olesen (Ev Roseborough) are already posted. The third loss that year was Photographer Artin Cavoukian (Ev Roseborough).

While the writer of Artin’s notice remains anonymous, it is most likely our modest editor of the day who tried to avoid having too many articles attributed to himself. As to ‘Cavouk’ as he was known, Ev writes, “Operating from an extremely small studio in the Colonnades in mid-Toronto, Artin Cavoukian, otherwise known as Cavouk. practised his art following aexodus from Egypt with his wife and family in 1958.

“The tiny studio, resplendent with finfurniture and drapery, whicalso becamhis properties, displayed magnificent colour prints of the Queen, PearsonGandhi, de Gaulle and other dignitariesand citizens, all of which bore evidence of his artistic and technical expertise.

“HiLinhof, brought from Egypt, stoosignificantly in a corner, draped in itfocussing clothA pioneer in colour portraiture, hopened the first colour lab in the MiddlEast in 1953 but left everything behind in the flight to Canada.

His wife and assistant, Lucie. died athe age of 72 on October 26, 1995, twelve hours  before her husband, who was 80.

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Queen St King

Erik Olesen 1942 – 1995

Toronto. I remember Erik since my user camera at the time was a Leica M4. As a Leic a rep for Walter Carveth, I often saw him in camera shops buying used cameras in good condition. Erik (briefly a member of the PHSC) attended our fairs both as a buyer and a table holder.

The photo at left is from the Journal, upscaled in Topaz Photo AI and adjusted with both Topaz AI and Focus Magic.

In 1979, Erik opened his own shop, Queen Street Camera Exchange, saying it was time Toronto had a true camera exchange store once again. I first visited the recently opened shop in May of that year.

A few years after the tremendously successful opening, the shop expanded to encompass a facility just east of the store. Later, it began to struggle, and  later still disappeared.  Erik opened another store called Hayden Camera.

Erik himself was in poor shape after the Queen Street facility closed and died a short time later. Ev wrote a brief memoriam for issue 21-4 as follows, “Always to be seen at our Fairs with interesting items, Erik Olesen was well known across Canada to both amateur and professional photographers. Born in Bowmanville, ON, he became associatewith Walter Carveth when the Leica was introduced [to Carveth], later becoming Sales Managefor Leitz.

Seeing a wider market, he opened thwell known Queen Street Camera Exchange, a professional and amateur supply house, and later, Hayden Camera. There was always a large historicadisplay in addition to a vast Leica case and the latest items on the market, about which he displayed encyclopedic knowledge.

Erik died at the age of 53, leaving hiwife, Kelly, and their children, ColleenPhilip and Erin.

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