our city’s first photographer

Poverty in the Ward
Arthur S Goss 1913
click to enlarge

Toronto. The Saturday, March 3rd Globe and Mail had an interesting article (A little girl in Toronto lost to history – and now found) about discovery of the identity of a child photographer by Arthur Goss while on assignment to record the extreme poverty in the city’s area called the Ward – right across from city hall!

This got me thinking about one of my favourite photographers – Arthur S Goss. I remember chasing down some of his photos at the Toronto Archives which were at city hall in those days. The article appeared in our journal Photographic Canadiana (12-3) as Arthur S. Goss – City Photographer –  Toronto’s City Photographer, 1911-1940.  The article, written by Victor Russel and Linda Price of the City of Toronto Archives complemented a Market Gallery exhibition of his work in the period March – May 1980. We published the article and photos the end of 1986 when Douglas Gilbertson was the editor and Larry Boccioletti was our president. The next issue, 12-4 included a brief Oops correcting a paragraph we accidentally modified in the original.

Goss was given many topics over the years – poverty, TB sanataria, the Bloor Viaduct, etc. bringing art to the rather pedestrian tasks he was assigned to record. He was not only the first city photographer but one of the longest running.

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who needs Photoshop?

LIFE Jan 5, 1948
showing editorial
licence taken
by some newspapers.

Toronto. George Dunbar has been very busy recently. He sent me this interesting news story recently. Here you can see how  various newspapers interpreted a sighting of a comet back in late 1947 in Australia. Just click on the icon at left to see LIFE’s Miscellany column.

A retoucher at each paper added different numbers of tails to the comet! For solid scientific reasons, comets have two tails. The original article was published by LIFE magazine in its January 5, 1948 issue.

A few decades ago (about four) I had the occasion to do some darkroom manipulation too. A friend of mine had no photographs of her parents together. She brought me two prints with similar shadows and after a short discussion, I rephotographed the prints and carefully merged the two people in the darkroom to create the  couple in a single print. Darkroom magic.

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a rare sight these days …

The Armstead & White photography
gallery in Corinth, Mississippi,
around 1861-65

Toronto. When was the last time you saw a photographer’s studio on a popular retail street or plaza? Lots of tiny shops that also take passport photos, or a local licence bureau or a mall Santa Claus with a back-board/back-drop and camera set up hooked to a computer, but few if any genuine walk-in studios.

Like many other industries, photography and its customers have mostly disappeared under the waves of digital technology. Every smartphone has a camera, often with software controls that make the rawest neophyte an instant expert. A recent news announcement in the States offers a cheap AI driven camera sold by Google to take great shots of pets and children it recognizes …

My thanks to George Dunbar for the photograph of an old fashioned studio down south in the small town of Corinth, Mississippi a century and a half ago. Corinth was founded a few years earlier and became embroiled in the American Civil War. The original was taken by George Armstead and this image is courtesy of BuzzFeed News. who credit the J Paul Getty Museum where the image is on display through May 27th of this year (2018).

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When photography meant chemistry

Old Bottles, New Wine

Toronto. Before digital photography came along, a good photographer used chemical solutions. The chemistry was a necessity – and a good photographer had to understand the chemical processes necessary for a successful photograph.

In fact this skill was as important as knowing how to pose a subject – and quite likely even more important for a successful venture. In the early years, charlatans prevailed and it was necessary to tread lightly or you and your money soon parted company for nothing of value.

The earliest announced process by Louis Daguerre in 1839 used mercury fumes to develop the latent image captured in a camera on a sensitized silver-plated piece of copper. Paper processes demanded the use of a silver nitrate solution as a coating to sensitize the salt paper or glass negative. The black stains on the fingers of a person quickly identified him/her as a photographer!

The chemical called Metol by Agfa in Europe was discovered to be a developing agent back around the early 1890s. Kodak sold its version under the marketing name of Elon. Elon/Metol was usually combined with Hydroquinone (and a few other chemicals) to develop black and white paper and negatives using classic formulary.

The mercury or quicksilver shown here was bought out in Prince George BC by my father’s older brother Charlie. It wasn’t used for photography, but for gold mining. My uncle used to pan for gold nuggets in the far western streams about a century ago. The other two bottles are from a long defunct darkroom. The owner’s widow passed these and some other chemicals on to me for use or safe disposal.

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17th WestLicht Photographica Auction March 9, 2018

Untitled (Nude with shadow), 1926
FRANTISEK DRTIKOL (1883–1946)
Vintage silver print17,8 x 28,3 cm

Toronto. Stefan Musil of WestLicht over in Austria, dropped me an email Wednesday to say their 17th auction of photographica will take place on March 9th, The actual lots will be available for preview beginning tomorrow and running up to the actual auction on the 9th.

Have a look at the press release sample images here or the more extensive text only press release here. A wonderful opportunity to augment your collection with some truly famous photographs.

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those were the days

Revere 8mm Movie camera
from 1947 LIFE ad

Toronto. Think about times past. Home movies. 8mm movie film. My father-in-law took home movies with a Brownie movie camera, not the competitor Revere cameras. Revere too used 8mm film sold in a 16mm configuration. You loaded the roll in daylight (in the shade) and after your roll was shot on the one side, you could take the roll out of the camera, flip it over and reinsert it to continue shooting.

During processing the roll would be slit along the centre and one side rotated and spliced to make a single long 8mm strip on a reel ready for editing or projection as is. Jack said on one trip out west he used the first side of a roll and took the reel out to flip over when it slipped from his fingers and merrily rolled down the steep hill. One less reel to commemorate the trip!.

My thanks to George Dunbar who recently sent me this 1947 LIFE ad for Revere film gear. I can still feel the heavy cast body of a Revere camera after all these years. The camera with a single lens like that in the icon above once graced our Auction poster many years ago. I did the original poster shooting items from my collection and merging them in Photoshop.

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Doc photography and CBC Celebs

Dale Barnes (left) and Vincenzo Pietropaolo

Toronto. PHSC Meeting, Wed, Mar 21, 2018 at 7:00 pm
Celebrities in the 1950s and 60s at the CBC – Dale Barnes
150 Years of Documentary Photography – Vincenzo Pietropaolo

We have two speakers for March.

Dale Barnes will speak on his work at the CBC during the 1950s and 60s. He will talk specifically about the many celebrities he photographed from the mid 1950s to mid 60s such as the famous folk singer Bob Dylan.

Vincenzo Pietropaolo will be our second speaker for the evening.  Vince is both an adept photographer and a book author. He has spoken to the PHSC a number of times, most recently at our June 2017 celebration of Canada’s 150th year anniversary.

Continue reading

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a Leotax ad from 1957

April 1947 Popular
Photography ad for the
Leotax imitation of a
Leica

Toronto. To gain traction on the world markets after the war ended, camera industries  began to imitate the more famous German brands. One of the Japanese brands that was almost identical to the Leica screw mount camera it imitated, was the Leotax.

My good friend George Dunbar tracked down an ad for the Leotax camera in the April 1947 issue of Popular Photography.

Half a century later, a growing body of collectors actively sought these quality imitations of famous German cameras. Most companies imitated all or part of the screw mount Leicas or the Contaxes. Some companies like Canon and Nikon are now recognized for their own innovative designs rather than their imitations!

 

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Photrio site in Toronto

Photrio Web Site

Toronto. Need help? Have a look at the Photrio forum web site.

According to the “About” note on the Photrio Symposium site, “PHOTRIO.COM is a community that has recently combined three existing photography websites: APUG.ORG (Analog Photography Users Group), Hybridphoto.com and DPUG.ORG (Digital Photography Users Group).

“APUG.ORG launched in 2002 and became the foundation of what would ultimately evolve into Photrio. The community grew from an ‘Analog only’ userbase to Hybrid (analog and digital) and now pure Digital as well. This diverse group of passionate photographers has reached 85,000 registered members and growing by the hour.

“Collaborating with Alternative Photo Services, Photrio will present a three day symposium in May 2018. This will be an international event bringing together the Photrio members and the community gathered by Alternative Photo Services and their Connections initiative.”

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we also have a separate blog …

Webmaster Musings

Toronto. I finally realized why the webmaster blog stopped letting me in. It was bought by Google who thoughtfully changed my password to a Google password.

Now it is active again, have a look. The posts are my personal views and not especially suitable for this website , but may still be of interest to you.

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