anything you can do …

Dachshunds c1930s by Ivan Dmitri

Toronto. The title is from a song Irving Berlin wrote for the 1946 Broadway musical “Annie Get Your Gun” The ditty epitomizes that spunky minicam of the 1930s. The big challenge for the marketeers was to convince professionals that indeed the fashionable little cameras could do a professional job matching the bigger cameras favoured by the photographers of the time.

The most exciting camera of that period was the tiny Leica which touted small negative – big photograph. A popular American book on using the camera was Morgan and Lester’s Leica Manual. Morgan, who worked at Leitz NY made many well designed accessories for the little camera rapidly expanding its capabilities.

The Leica Manual had a decades long run from pre war to post war. The manual was divided into chapters. In the earlier editions, various chapters were written by people who were expert in the field and in applying the camera to that field. Part I was called Basic Leica Technique and had chapters showing how to use the camera and its accessories practically to create professional photographs. Part II covered chapters on Leica in Science and Technology while Part III was called The Leica in Specialized Fields.

In most chapters the reader was shown how the Leica could be used instead of a larger traditional camera to create even better photographs.

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police photography

Sir Sydney Smith

Toronto. Sir Sydney Smith was born in New Zealand in 1883. He left for Edinburgh to become a doctor and ultimately held a prestigious chair in medicine at Edinburgh University. He was a well travelled author who wrote many books and articles including the text-book Forensic Medicine first published in 1925.

While Sir Sydney was both an author and educator in Britain and abroad, his skills were often called upon by the police and the courts. In his autobiography he uses many police scene of crime photographs to illustrate his text.

Modern day police organizations are major users of photography to record events and scenes and to capture the details of a crime. In January, 2007, we had the pleasure of hearing from Larry O’Grady on “The History and Applications of Photography in the Toronto Police Service“. Larry’s talk included some photographs that were deemed inappropriate for publication on the web (various reasons). While the basis for photographs is often forensic medicine, the actual photographs belongs to the police and are used in the courts to demonstrate key points on any criminal case.

 

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medical photography

Left c1985 post op x-ray of a partial nephrectomy. Right c2019 pre op x-ray of hip joint surgery

Toronto. With media speed improvements, photography became a tool as well as an art. Many industries employed the technology to provide diagnosis, records, and text books.

Nevertheless, one of the earliest examples was a daguerreotype taken in an operating theatre in Boston in the 1840s showing ether being applied to a pre-surgery patient. For us simple folk, x-rays – usually dental – are the most common.  In fact Kodak made film of many sizes just for x-ray use. Modern day practice significantly reduces the amount of x-ray energy required to make a usable image. My dentist uses digital technology making sharp computer images almost instantly with a far lower dosage of radiation.

As cameras evolved, many doctors chose to use photography in their every-day practice of medicine whether eyes, feet, hands, skin, or any other specialty.

 

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war and home: talks by Palu and Lagler

War and Home

NEXT MEETING: Wed May 15th, 2019
Photography, War and Alternative Narratives – Louie Palu. Louie discusses his experiences as a war photographer. Click the PHSC News page 2 icon attached at left for details.

The Golden Age of Super 8 and the Humble Home Movie – Terry Lagler. Terry is a film archivist and collector of films. See a sample of Terry’s collection at the May PHSC meeting.

Come on out and share an interesting evening with Louie and Terry. The public is welcome.  Go to our Programs page for times and directions.

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PHSC Newsletter for May 2019

Floating Flora (Japan)

Toronto. Editor Sonja Pushchak has released volume 19-1 of her epic newsletter.

Page 1 features “Floating Flora” – 1896 photographs from collotype photographer Ogawa Kazumasa. Page 2 covers or program of speakers for this month.

Following this are pages covering Exposure Secrets, our Spring Fair, Equipment Review (4×5 film from a Florida trip), Photographer Carrie Weems and this year’s CONTACT, Web Links, and more.

Click here or the icon at left to read and print this attractive 10 page issue – and don’t forget to read Vi and Dot’s column on the “3 Horsemen of Photography”!.

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Dr Robert G Wilson, May 8, 2019

Dr Robert Wilson, 2011
by Bob Lansdale

Toronto My good friend and fellow PHSC member Bob Wilson passed away late Wednesday this week.  Bob joined the PHSC in 1977 after coming to Toronto. Prior to coming here, Bob worked out west as a geologist in the Oil Industry.

I met Bob when he was membership secretary and wanted to convert the PHSC membership list to a computerized version. My company had recently bought a TRS-80 from Radio Shack so we experimented on that system. Some month’s later I transferred to our data centre out in Don Mills and Bob took back the PHSC’s 8 inch floppy disk plus a paper copy of the membership records.

Bob became our membership secretary the summer of 1982 through April 1989 when the post was held briefly by Phil Berkowicz until I took it over November 1989. Bob went on to be the PHSC president for 1997-99.  And in 1997, he also earned an Honourary Award for his contribution to photographic history. He continued to monitor and advise on government forms, PHSC by-laws, PHSC elections, etc. He was an expert on books, stereo, and images. Until very recently he did the Photographic Canadiana  journal sorting and distribution for domestic addresses.

Bob managed the record keeping at our auctions and was a regular at the society fairs with his large selection of books. He and May even contributed to the Toronto meetings for many years by managing the monthly refreshments.

In later executive meetings, he wrote and kept the meeting minutes, back-up procedures, etc. as well as contributing his wisdom to assess the value of some image and equipment donations. His ideas helped to improve our society. Bob wrote a photographic historical text on Benjamin Baltzly plus a great many journal articles.

Bob was a quiet but important part of the PHSC with his broad knowledge and skills. I will post funeral and celebration of life arrangements as they become known. NOTE: see obituary in Saturday’s Globe (May 18th) for more information.

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a marvel of Swiss engineering

ALPA 8b Camera (Photo courtesy of Foto-Hobby Rahn GmbH)

Toronto. In the early 1960s, my eye-sight in low light situations made my Exakta SLR harder and harder to focus. One of the cameras that caught my eye was the ALPA. Well made by a Swiss company, it has a 45 degree pentaprism and a rangefinder. It seemed like a great bridge from my Exakta to an easier to focus model. Ultimately I decided to go with a Leica M4 and never looked back.

The Alpa series was made by Pignons S A, a Swiss maker of tiny precision parts for watches. In the 1930s they invited Jacques Bolsky to design an SLR for them before he fled to America. Pignons never made lenses, but bought high quality optics for their cameras. Post war, the Alpa series was designed by André Cornut. In all, fewer than 50,000 Alpa’s were thought to have been made. Well built and small numbers made the camera very attractive to collectors.

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Hasselblad SWC

Hasselblad SWC Camera

Toronto. A rare model of the  famous Hasselblad 2 1/4 square camera was auctioned off recently in a PHSC sponsored auction. The family firm with the famous Hasselblad name (F W Hasselblad & Co) was founded in 1841 and a photographic department was added in 1887.

When the second world war was underway,  Victor Hasselblad decided to make an Aerial camera (the HK-7) modelled after a German aerial camera for the Royal Swedish Airforce. A few years after the war, in 1948 Victor Hasselblad marketed the famous 1600F 6×6 cm camera with a Kodak Ektar lens and with both Kodak and Zeiss accessory lenses. Victor was well known for trying out his camera designs by photographing birds.

The camera was adopted by professionals around the world. A Hasselblad even went to the moon under the NASA programs. The model we auctioned was an improved version of the Supreme Wide-Angle camera. Both used the Zeiss Biogon 38mm lens. For the first decade the camera used a chrome lens. From c 1969 an anodized black lens barrel was used. On his death he bequeathed about $8 million in USD to the “Erna and Victor Hasselblad Foundation“. Erna was his wife.

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Horst Herget – wet plate collodion photographer

Horst Herget IN/CAMERA

Toronto. Horst will be speaking at our Toronto meeting this coming September. Meantime drop in and see his work at an exhibition May 14 – June 9.

The  reception is May 15th. Details of the IN/CAMERA exibition are on this instagram link.

The exhibit is part of the annual CONTACT month.

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Photographs auctioned at Westlicht May 24th

Gustav Klimt by Moriz Nahr in Wien 1917 

Toronto. Visiting Europe this spring? Drop by the 19th  Westlicht Photo Auction in Vienna this May 24th and enhance your collection.

This fine auction house runs photograph auctions twice each year. While this springs auction os on the 24th, you can preview the photographs in person from May 18th-24th. And an online catalogue is available to view at home.

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