more than cameras

Stereo viewer with light box, transparency stage and optics frame
fits into covered leather case. “Monogram” is seen on front prop

Toronto.  Collectors of photography generally divide into collectors of cameras and collectors of photos. But either group might collect the accessories and ephemera related to their collection.

Stereo buffs – cameras or photos might also collect various viewers, projectors, light tables, etc.

In issue 25-4, Bill Belier’s column, “A Treasure From My Collection” had ghost writers while Bill recovered from knee surgery. This column was written by Robert Wilson and has a stereo theme. It is titled, “Stereo Viewer and Transposing Printer”

The article begins, “This set of stereoscopic items comes from the collection of Robert Wilson. Bob attended an auction in Toronto in 1979 and came away with a stereoscopic viewer, more than 200 B&W stereoscopic transparencies on acetate film, and a strange looking two lens apparatus thought to be an enlarger.

“The viewer and images were straight forward to understand. It was the two lens ‘enlarger’  that confused him.

“The viewer is made of black-painted metal, with bright brass fittings. The light box contains two light bulbs to provide illumination to view the transparencies. There are adjustments for both focus and for inter-ocular distance. The whole viewing device is stored in a leather-covered carrying case and swings up out of the case onto a supporting leg when in use.

“Affixed to this support is what is assumed to be a monogram – the letter H with a long tail to its right stroke. It adds a tantalizing mystery since there are no identification markings on either of the two instruments. They are assumed to be one-of-a-kind, home-made and built by a very capable technician.” …

Members read all of the article and viewed the other photos in the issue 25-4 pdf file on the free members-only DVD (or memory stick). See above or to the right (Membership) to join. Drop Lilianne a note at member@phsc.ca if you have a question.

Visit our Museum Auction on November 9th. While there may or may not be stereo items, there will be items to perk your interest and expand your collection.

Posted in history | Tagged , , , | Comments Off on more than cameras

cool water

petrified wood and some sand from the Sahara (in Libya area) around 2000.

Toronto. Old photo collectors value outdoor scenes, work environment, etc. An unusual category might be desert scenes. We learn in school the various desert areas in the world. While the USA has a number of them, the only one I remember up here is a spot in southern BC  (Okanagan Desert). And apparently the Yukon also has a tiny desert area (Carcross Desert).

The two best known deserts to me are the Gobi in Northern China and Mongolia  and the massive Sahara in Northern Africa.

Collectors of old images can check their collection and search for desert related photos at various events like our coming November 9th Auction. Of course you never know just what you may find at an auction – come out and enjoy the experience and excitement!

This post stems from a song of my childhood, Cool Water, sung here by Marty Robbins.

Posted in auction | Tagged , | Comments Off on cool water

sans photography …

based on a chemigraph

Toronto. Have you ever heard of a”chemigraph”?  It is an engraving made on a metal (zinc) plate using chemicals instead of photography. The word originated in German combining chem- + -graph The image can be reproduced as a platinum print.

The process maybe somewhat uncommon as there is little reference to it on the internet.

Past president, sports photographer, and author Les Jones sent a note the other day about some finds from the USA. He says in part, “[This is] a photo marked “A permanent ‘platino’ chemigraph”. Photo by Strauss, St, Louis. Negative on Cramer Isochromatic Plate. Reproduction from print on “Aristo-Platino”paper [see image at left].

“Never heard of this particular type although Celio Barreto [PHSC programmes] has an article on The Platinotype Process so he might have input.

“A chemigraph is an engraving made by the process of chemigraphy, which uses chemical actions to etch designs onto a metal plate, often zinc, without photography. So maybe mine is a copy of a platinum print made by the chemigraph process??

“FYI: in 2006: A photograph printed in platinum and then modified with the gum bichromate process, has sold for nearly $3 million at Sotheby’s.

“[It’s] an image of a moonrise over a lake, printed in platinum and then modified with the gum bichromate process, has sold for nearly $3 million at Sotheby’s, New York, setting a new price record for any art photograph.

“As the chemist and photography expert Mike Ware reports, the record-breaking print, entitled The Pond – Moonlight, dates from 1904 and is the work of the American artist Edward Steichen (1879-1973).”

If you have further details on the rare process, drop me a line at info@phsc.ca.

Posted in history | Tagged , | Comments Off on sans photography …

for want of a nickel …

camera from an auction lot 5 years ago in 2020

Toronto. … a camera is lost. Our PHSC fall auction is coming up fast (November 9th) and we will be posting photos and possibly a lot list when received from our auctioneer. Meantime, don’t forfeit a desired lot next month to save some change.

As Mike Toddington of the WCPHA once said we all have our regrets for NOT buying an item!

Our auction details are up now and pinned to the top of this site. The auction is just two weeks away and will feature lots from the recently closed Sherman Hines Museum in Nova Scotia plus other estate items.

Note: The title of this post came to mind with the M.T.A. Song that began around 1949 as a protest to added transit taxes in Boston. Here it is sung by “The Kingston Trio“.

Posted in auction | Tagged , , , , | Comments Off on for want of a nickel …

a button for Christmas …

stereo card -1890s Christmas scene

Toronto. Long before television, people could view stereo cards at home to see the world, learn new things, and view comedy. Games used simple objects found in any home.

Even in the 1940s, I can remember playing the button game shown in this stereo card (see at left) using a button from my grandmother’s collection of buttons in a small cardboard box.

In issue 25-3 one of our resident stereo buffs, the late Dr Robert Wilson, chose a selection of cards from his collection to illustrate Christmas in the 1890s in the article “Christmas Cheer in Stereo ….”

Bob accompanied the illustrations with this article: “As the world approached the 20th century, all thoughts turn to Christmas , good cheer, and Santa Claus.

“We present a selection of stereo cards wherein the photographers of the day set their interpretations to image in the hope of making a saleable product.” …

Members can read and see the rest of the stereo article and cards in the issue 25-3 pdf file (last page, page 20) on the free members-only DVD/thumb drive.

Joining the PHSC is both easy and inexpensive – follow MEMBERSHIP above for cheques or Membership at right for credit cards, etc. Questions about membership? Drop Lilianne a line at member@phsc.ca.

Visit our 2025 events to see if you can add to your collection. Last up is our November 9, 2025 auction.

Posted in history | Tagged , , | Comments Off on a button for Christmas …

meet the Lomo MC-A

the Lomo MC-A

Toronto. While this little guy is not currently a collectible, it may well be in the future! Lomography has long supported those niche folk who relish the  look of analogue images created on film, not a sensor.

Time, patience and some experience is needed to record what you see on film. No room for a quick dozen or two shots, no instant gratification or adjustment.

This little camera is offered in silver as shown, or black. Ms. Chloe Fuller in NYC sent me a note recently saying, “This is not a camera, it’s a lifestyle. After several years of development, we’re thrilled to introduce the next chapter of Lomography. This 35 mm film camera invites you to feel first and frame second. This is Analogue Resistance. This is the Lomo MC-A.

Key Features:
· Compact metal body in black or silver
· 32 mm f/2.8 retractable multi-coated glass lens with autofocus
· Full-frame photos on 35 mm film
· Automatic or Zone-focusing from 0.4 m
· Fully automatic, aperture priority or manual shooting modes
· Built-in flash with creative flash modes
· PC-sync flash connection
· Multiple and long exposure functions
· Additional accessories included”

Before you send off to NYC, check with Downtown Camera here in the big smoke – they stock many film and Lomography products.

Posted in activities-other | Tagged , | Comments Off on meet the Lomo MC-A

a plus one… ?

a c1950 Exa camera made in Dresden

Toronto. My friend Les Jones, sent me an email the other day about some items for last Sunday’s fair. In part he referred to a camera called EXA from c1950. It was embossed ‘USSR Occupied’. I happen to have a couple of Exakta cameras from that era (1950s) and while the embossing has disappeared now, I remember seeing the ‘USSR’ stamp in the bottom leather of my VX IIa.

I pick up the older Exakta Varex at Mitchell’s in Montreal when my VX IIa nearly lost a critical brass stop (brass dust and an erratic shutter told the tale). At the time the cameras were rare 35mm SLRs. The mirror mechanism made even ‘normal’ focal length lenses challenging and wide angle lenses nearly impossible. The few wide angle lenses at the time used a retro-focus design with strong geometric (barrel and pin cushion) distortion.

When I bought my VX IIa, the ads of that time encouraged us to buy an Exa as a second less expensive body since it would accommodate all Exakta lenses and most Exakta accessories.

Les writes in part, “An early (1950) EXA. I’m familiar with cameras marked “Made in Occupied Japan” but this was stamped on the leather “USSR Occupied” just above the etched in leather Made in Germany mark. Confused for a minute I thought it referred to a German occupation of the USSR. Not so.

“The Ihagee factory was in Dresden which became Soviet territory when Germany was divided up post WW2. In the mid 50’s the US was going through its notorious anti-Communism crusade so to discourage purchase of the Exakta & its little brother Exa, the US Government allowed the cameras to be imported only if they were stamped ‘USSR Occupied’.”

Posted in history | Tagged , , | Comments Off on a plus one… ?

old nature photos

a rare ALCS blue jay spotted late Monday night (20 October 2025) …

Toronto. While the image at left is far too new to be collectible today, many other bird, animal, fish, landscape, etc. photos from a century or more ago are collectible images.

Collectors haunt our shows to discover old photos that fit into their collection adding both interest and a bit of history.

While like baseball, our 2025 events are coming to a close, next up is our fall auction on November 9th. You can see the poster here and photos of most lots will get posted as soon as received.  The auction features cameras, lenses, and other photographic articles from the Sherman Hines Museum down east as well as some estate items. Come out and join the fun!

Posted in auction | Tagged , , , , | Comments Off on old nature photos

the right POV

an Argus ‘spy camera’ c1924 disguised as telescope

Toronto. Dry plate technology introduced ‘detective’ cameras – hand held cameras disguised as satchels, purses, boxes, etc. usable without the give-away of a tripod. Once potential subjects recognized this new variation of camera, another means of  secrecy had to be created.

One logical means was a device to let the photographer seem to look in one direction, while actually photographing in another. Various cameras emerged with the viewfinder and taking lens at right angles to the stance of the photographer. Leitz even had an accessory viewer for the Leica in 1929 called a WINKO. Tiny prisms allowed the viewfinder and rangefinder to function with the camera held at a 90 degree angle.

Bill Belier’s column, “A Treasure From My Collection …” in issue 25-3, shows a camera from the late Ron Anger’s collection in the article titled, “THE 1924 ARGUS MONOCULAR CAMERA FROM CONTESSA–NETTEL”.

“Bill begins the article. ‘My name is Anger… Ron Anger’. And so it was that we met in September 1977 when he responded to a classified ad that I had placed in a Toronto newspaper seeking to buy old cameras. He identified himself as a fellow collector and invited me to a meeting with other old-camera enthusiasts to be held the following Wednesday. I was unaware that a collector’s group had been formed in 1974, until my new friend introduced me to the P.H.S.C. that evening.

“How appropriate that Ron’s membership number is 007. This month’s featured ‘treasure’ is just the type of camera that would have been designed for James Bond, had Ian Fleming’s British secret agent been around in 1924, the year that Contessa-Nettel introduced the Argus.

“Described as a monocular spy camera, the Argus resembles a miniature leather covered telescope. The format is 4.5×6 cm for cut film and the lens is a CZJ [Carl Zeiss, Jena] Tessar 5.5 cm,  f:4.5 with shutter speeds of T, B, and 1/25 to 1/100. Both viewfinder and taking lenses are positioned at 90º, which of course, is the main feature of the camera.

“When Contessa-Nettel became part of the Zeiss Ikon group of companies in 1926, the Argus underwent a name change and became the Ergo. Essentially the cameras are identical with the exception of the “trap door” cover concealing the lens. The original Argus (as illustrated) has a rectangular cover, the Ergo has a circular cover.

“During the transitionary period there probably was a parts exchange, as some later Argus models appear with the circular cover while some early Ergo models have the rectangular cover. And why a name change? Perhaps some knowledgeable Zeiss historian could enlighten us.” …

Members can read all this illustrated article in the issue 25-3 pdf file on the free members-only DVD/thumb drive. Joining is easy, just follow the instructions for cheque (MEMBERSHIP above) or credit card etc. (Membership right). Send any membership questions you have to Lilianne at member@phsc.ca.

Posted in history | Tagged , , , , | Comments Off on the right POV

Film Formats 1930-60

Ensign Silver Midget (Model S/55) 1935; Kodak 828 or 35mm roll film – courtesy of Bob Bolton

Toronto. Those of us who know only digital photography, likely never used film. For our 25th Anniversary, editor Lansdale prodded exchange member editors to offer one article each for our anniversary edition of Photographic Canadiana.

The boys from ‘Down Under’ came up with this reprint from their Newsletter. It is titled “FILM FORMATS  – a retrospective (1930 – 1960)” authored by Bob Guiffre with photos by Bob Bolton. The 828 film noted at left was 35mm film without the sprocket holes and protected by a paper roll.

Mr Guiffre begins his article, “The Leica was the first camera made to accept 35mm film in the format originally decided by Oskar Barnack in 1913, the double ‘Academy’ cine frame of 24x36mm.

“There had been cameras like the Tourist Multiple of 1912 –an expensive camera taking up to 500 frames of the 18x24mm format. Three versions of the Barnack camera, the original now known as the “UR Leica”, were made; this first one is preserved at the Leitz Museum and is possibly the most valuable camera in existence.

“After World War I (1914-18) Ernst Leitz senior, the chief of Ernst Leitz Wetzlar which up until that time had made microscopes [and a few other optical devices], decided in the early twenties that “Barnack’s camera will be made”.

“It was probably the most significant decision in photography’s history, and in 1923 a pilot series of cameras were made to test the market – numbers 100 to 130, the ‘Null’ or ‘0’ series. A number of these thirty-one cameras are still in existance.

“This facet of photography’s history is already well documented but it is a milestone and the key to the most important format in modern photography and should be reiterated.

“In 1925 at the Leipzig Fair, Leitz introduced the Leica camera – the Leica I with 50mm f:3.5 anastigmat lens.

“The rest is history…” …

Members can read the rest of Mr Guiffre’s article and see  the photos in the issue 25-3 pdf on the free members-only DVD/Memory Stick. See MEMBERSHIP above or Membership at right to join. If you have any member related questions, drop Lilianne a note at member@phsc.ca.

Some camera collectors also collect various films and film containers. While both 2025 and our 2025 Events are nearly over, next month’s Estate Auction may have films and containers offered along with various cameras, lenses, books, etc.

Closer to the Auction date (November 9), we will pin a poster on this site and show photos of the various lots as we have done in the past.

Posted in history | Tagged , , , | Comments Off on Film Formats 1930-60