Ahhh, spring …

A fine lawn. A fine dandelion in blossom.

Toronto. It’s May 1st and all the flowers are beginning to blossom – some even last month. We know spring has arrived because the lawns are alive with flowers – dandelions.

We notice many lawns sprouting these nasty beauties. We have dug out over 4,000 this spring, mainly from our lawn. The little plants are rather pretty at this stage – and free thanks to a prevailing northwest wind and an indifferent neighbour.

The photographing of flowers is a common side venture of photographers as shown in the earlier post called “Night Flower” which covers an exhibition of the work of Ms Sara Angelucci at the Stephen Bulger Gallery as part of this year’s CONTACT event.

A great shot of any flower demands timing, close-up, framing, and lighting skills that test the casual photographer or even the professional. Ahhh spring …

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night flower

Nocturnal Botanical by SARA ANGELUCCI
as exhibited at the STEPHEN BULGER GALLERY, Toronto.

Toronto. Stephen Bulger has been a member of the PHSC from time to time. In Toronto, the CONTACT program features photography and photographic themes around the city each spring.

This year, the Gallery features works by Sara Angelucci such as the Nocturnal Botanical series of photographs, one of which is featured at left.

The gallery write up states,
Opening Reception: Saturday, May 4, 2-5pm
Guided Tour of the Exhibition with Sara Angelucci: Saturday, May 4, 3pm
Exhibition Dates: May 4 – June 15, 2024

“Stephen Bulger Gallery is pleased to present Nocturnal Botanical, our third solo exhibition of work by Sara Angelucci, during CONTACT Photography Festival. The exhibition brings together two ongoing companion bodies of work, Nocturnal Botanical Ontario and Bella di Notte, for the first time.

“Angelucci began creating botanical images in 2018 working with a scanner, in situ at night. The series began accidentally, as she retreated to the solace of her small city garden to process the deep grief of losing her sister. Working in solitude, she began to notice the smallest things—the obedient plants’ movable petals, the wild bellflower, and a single columbine growing beneath the peony bush.

“Reveling in this micro-world, it occurred to her that even grief offered gifts. Reading about the decline, and imminent extinction of species across the planet, her need to mourn expanded beyond her personal circle.

“During the pandemic Angelucci began to work in fields and forests near her cottage in the Pretty River Valley, Ontario, immersing herself in the natural world. She continues this endeavour expanding her botanical explorations to ponds, and river shores and exploring plant life in the changing seasons.

Visit the Stephen Bulger Gallery to read and see more  of this exhibition.

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its a selfie, silly

spoofing the modern selfie craze

Toronto. My good friend George Dunbar came across this photo of two girls at an exhibition. They were hamming it up with a landline handset. The photo is remarkably similar to a modern ‘selfie’ taken with a Smartphone’s front facing camera.

The title “The early days of selfies” is a bit of a misnomer since a mirror was used for such self portraits since the early days of photography (1839). The above link is to a Wikipedia article on the topic of self portraits.

A big thanks goes to George for this clever photo which he shared with us. Being a bit small, it was upscaled  with Topaz Photo AI 2 before adjusting the size in Affinity Photo.

By the way, our spring auction is May 5th. Drop by and bid – you may find a photo or a piece of equipment suitable for your collection or user gear.

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c’est mon Kodak ..

an old wooden camera with lens at our coming auction

Toronto. .. as the Quebec farmer said flashing his camera. In Quebec, Kodak was so pervasive that ANY camera was called a ‘Kodak’. But not all cameras were made by Kodak.

For instance, the camera at left was made by Scoville. It has a brass lens with a series of stops on a single disk. Scoville (much later Anthony and Scoville), was the second largest American photographic materials maker in the 1800s. The Anthony company which Scoville joined was the largest. Both were founded long before Eastman began his photographic glass plate business.  In the 1900s the merged company became Ansco.

The camera shown above, is Lot 306 at our May 5th auction. There are many items of interest to the film or digital photographer/collector. Come on out and meet old friends once again while bidding to add to your collection and/or user gear.

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camera for free …

A couple of multi lens Smartphone cameras courtesy of Apple

Toronto. … that’s how you do it. In the days of film, most families used a cheap box camera or folder to record family events and relatives. When the digital era took over, people moved to digital over two or three decades eventually trashing film photography.

Today, the bulk of photos are taken by Smartphone. And with good reason. Almost every smartphone contains a sophisticated camera by default. The major reasoning: 1, the phone is always with you; 2, phones make it very convenient to shoot and send full colour images; and 3, the camera is free as are the photos taken.

These little gems use highly sophisticated sensors and lenses to capture both stills and video images. The photos are all auto adjusted for focus, lighting/ISO, white balance, etc.. Phones usually include software editors to adjust the individual images further as desired. While my main film camera is a Leica, and I have a few stand-alone mirrorless digital cameras, most shots today are on my old iPod Touch with its 8mp sensor, tiny lens and 35mm lens equivalent.

Additional editing apps can be added to the Smartphone or the images can transferred to a computer and ‘developed’ (adjusted, key words added, files re-named, photos filed, backup copy made, etc.). But what about the camera collector? We merrily collect cameras as unique entities be they plate, film, or even digital. What will happen in 50 or 100 years from now? Will we still collect cameras? Smartphones? Both? Or will the camera go the way of light microscopes, radios, computers, etc. and be a specialty collected by those eccentric folk devoted to technologies of the past.

NB. An earlier post acknowledges the convenience of digital photography but with possibly serious consequences.

The title is a riff on and borrows from the 1985 song by Mark Knopfler, “Money For Nothing“,  and sung here by Dire Straits.

By all means come to our May 5th auction and check out the lots while meeting friends old and new. A slide show and lot list are posted and will be expanded as new images arrive,

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exciting to now and future viewers

fixing a broken heart c1987 – photographer not stated

Toronto. Past president Les Jones recently dropped me an email showing this link on Bored Panda titled, “50 Interesting Historical Photos That Might Change Your Perspective On The Past“. The photos are accompanied with a text commentary and date.

Take a look and think of how people will react to them in 50 or 100 years from now. The comments (open them) are interesting too.

As to the photo of a heart transplant in 1987, do you remember hearing about the FIRST heart transplant? “Christiaan Barnard with his team, performed the world’s first human-to-human heart transplant operation on 3 December 1967. It was a major historical event and a significant breakthrough for medical science.”.

In the 1987 photo, the greenish tinge is likely due to using florescent lighting on film not balanced for that particular light spectrum.

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an amazing place

Legion Hall 101 – Nov 2019 Auction

Toronto. Close your eyes. Now think of all the amazing places you’ve been.  One such place is  Legion Hall 101 on the Lake Shore just west of highway 27 in Long Branch on the afternoon of Sunday, May 5th.

At that time we will be holding our spring auction. And what an auction! There are lots for everyone be it for collectors or users; film buffs or digerati!

The times and location (and lot photos) are shown here. Remember, parking and admission are free! Great food and drink are available. Come on out and see the lots in person before bidding starts – and meet old friends and acquaintances after the long and tempestuous winter we struggled through.

And what better way to remember this post for a Sunday event than that wonderful hymn “Amazing Grace“? Be patient – the first seconds (nearly a minute) are the words only.

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the cost of convenience

Some garden tools around a red oak ready to use

Toronto. I have posted previously on film vs. digital and its consequences. Since photography was created in 1839 until digital technology went main stream, family ‘snap-shooters’ and amateur family historians could save photographs in an album or shoe box to be pulled out whenever a visitor was to be shown ‘the relatives, old purchases, etc.’. These artifacts could be viewed by eye – no accessories needed (except perhaps, reading glasses).

The down side was the time it took to finish a roll of film, get it processed, have prints made, and see for the first time if the ‘pictures took’. If the photos were out of focus, subjects blurry, over or under exposed, etc., chances are the subjects were long gone or the reason for taking  the photograph now forgotten.

Film, paper, processing, even a fancy camera, was too costly for the average family guy to buy or shoot off ‘spare’ shots. For most of the plate/film era, photos were B&W only. The early post war colour prints had poor resolution partly solved by a pattern on the paper’s surface. And colour was often prone to rather rapid fading due to the choice of dyes.

Most families had an amateur photographer; but few had a darkroom or access to one. This sharply reduced the number of prints promoted to the family album or shoebox. Cameras for the most part were very simple – box cameras, simple folders, etc.

When digital reached mainstream, almost everyone had a camera (buy a smartphone and you also had a camera for free). Literally dozens of shots could be taken with very little or no added cost; results were assessed in seconds; images were in full colour. The auto everything cameras and smartphones meant only focus, lighting and framing decisions were left to the photographer. And the best photos could be sent anywhere in the world in seconds via the internet.

Sadly, the down side for digital is far more serious – long term retention. File formats change over time, storage media change, as do special equipment and software essential for viewing. For example, in a short few decades we have seen floppy disks, mechanical hard drives, CDs, DVDs, thumb drives, solid state hard drives, streaming, cloud services, etc., come and go. Equipment, software, file formats, – they all seem to change. Astute photographers are left hopping just to move their precious digital photos from one thing to the next.

Sadly, as this article (WILL TODAY’S DIGITAL MOVIES EXIST IN 100 YEARS?) in the IEEE journal discusses, even movies are affected. Perhaps my good friend , George Dunbar, who suggested this post, has the best solution: take your photos digitally for convenience, then PRINT the best of them for posterity and simple viewing – nothing needed but possibly those eye-glasses…  Thank you George for the article link and the idea of printing digital photos.

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pictures don’t lie … yeah, right

Drake Album cover April 2016 taken by Caitlin Cronenberg

Toronto. When I was a kid, my mother, looking at a  newspaper photo often said, “cameras don’t lie”.  Once I grew up and learned photography seriously, I realized ‘double’ exposures in a camera or darkroom with some skill could indeed show something or someone where they had never been.

When digital technology became common, the computer with Photoshop and its kin made such obfuscation even easier – layers, masks, and feathering merged part of one image into another seamlessly – if the operator was at all skilled and careful.

Ghosts, people, articles, even events, could be shown elsewhere with manipulated photos. The controversy over a photo of Lee Harvey Oswald – real or fake – was in some cases based on shadows projected by the sun. In movies, faces of the actors were placed on wedding portraits of others to validate a back story.

In 2016, when Drake’s latest album came out, it showed him sitting atop the bulge in the CN tower in a shot taken by Ms Caitlin Cronenberg. She was supposedly suspended by helicopter to take the shot. It turned out to be a telephoto shot of the tower that she took and merged by computer with her studio shot of a sitting Drake.

While the article shown is uncredited (couldn’t find the source), Alex Bozikovic published an article in the Globe after Drake’s  album was released.

My thanks to my good friend, George Dunbar, once again for sharing the article with us and bringing back memories of ‘fake’ photos created by myself and many others since photography began in the 1800s. After all, pictures don’t lie …

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snap shot or tech shot?

My SB100 transistor on a breadboard experimental setup

Toronto. In the early days of transistors, the tiny marvels couldn’t operate very far beyond audio frequencies. In the late 1950s, Philco managed to create a transistor usable at radio freqencies. The SB100 transistor, as it was named, was offered to experimenters.

Shown here is a breadboard assembly acting as a radio receiver with a CK722 transistor as an audio amplifier also on a breadboard.

While the photo at left is a snapshot, a branch of photography focussed on capturing images of technical products – for advertisements, catalogues, manuals, etc.

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