Copy That II

talk on IP and Photography here in Toronto.

Toronto. Did you ever wonder about the old photos in your collection? Or what rights you have to what you believe is your (or someone’s) IP (Intellectual Property)?

If so, you may enjoy this online session on April 9th sponsored by PHOTOed magazine and the ALAS organization.

Intellectual Property Lawyer Riley Sun discusses topics such as:

  • Copyright fundamentals for photographic works
  • Ownership vs. licensing and what photographers control
  • Working with galleries, publishers, and collaborators
  • Reproductions, online sharing, and social media considerations
  • Tips for enforcement and responding to unauthorized use
  • Privacy and model releases
  • Emerging IP issues in the age of AI
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can she bake a cherry pie …

portrait of tattooed lady, Irene Woodward – photographer unknown

Toronto. Mike Lehr in New Jersey announced his latest auction (online) starts March 28th. The auction of old photos is called, “March 2026 Unreserved Photo Auction — Curiosities, Performers & Vernacular Photography“. Click on the link at left to register or see the catalogue.

Typical of the offering is the trimmed cabinet photograph of Ms Irene Woodward (lot 218). The items in the auction are all described. For example, this portrait is described as, “Trimmed cabinet card measuring 6″ x 4” studio portrait of a tattooed woman performe[r] Irene Woodward, also known as ‘La Belle Irene’.

Woodward, [was] one of the first and most successful tattooed ladies in circus and dime museum sideshows during the late 19th century. [Shown is] Woodward seated in stage costume, showing extensive tattooing on the arms and legs. The sitter wears a decorated bodice and headpiece and is posed in a studio interior with painted backdrop, carved furniture, and patterned floor covering. No photographer’s imprint visible.

“The portrait depicts a tattooed exhibition performer of the late nineteenth century, shown displaying decorative tattoo designs across the body.

“The reverse is signed in ink ‘Thyra Stone Woodward’ [can also be read as Wife Irene Woodward]”.

Image collectors can also see the full catalogue here. We often have old photographs at our events. The 2026 events include our spring fair scheduled for May 24th, at Trident Hall.

Note: The title of this post is a line from the child’s nursery rhyme, “Billy Boy“.

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I can see you clearly now …

the FODUA (known as FODIS with its case) was the first camera-based rangefinder from Leitz

Toronto. Leitz marketed this long base rangefinder in 1923 – before the Leica as announced. Earlier, Leitz made much larger rangefinders for specialized uses where precision distance measurement was critical.

After the original Leica cameras were marketed (fixed lens, viewfinder only) The FODIS could be clipped upright in the accessory shoe and adjusted so the large and small circular images of the desired subject coincided.

A few years later, Barnack decided to eliminate a step (transfer of the reading from the rangefinder wheel to the lens).  He has his staff design an even smaller rangefinder that was incorporated in the camera. As the Leica lens was focussed, a cam in the lens rotated a tiny prism to align the two rangefinder images. The photographer then had instant feed back that his subject was in sharp focus.

This neatly solved the distance setting allowing large aperture/large focal length lenses to be used on more expensive cameras. Some manufacturers could accommodate the Leitz rangefinder if it was calibrated for the different lens-subject design concept. A FODIS/FODUA intended for a specific non-Leitz make of camera, had the slight distance adjustment engraved on the wheel between the 1 metre/3 foot mark and the infinity mark.

At our 2026 events you may find a separate rangefinder or other item of interest to complement your collection. Our Spring Fair is scheduled to take place May 24th at the Trident Hall. I will pin details and poster to the top of the web site as we near the fair date.

NB. The title of this post was inspired by the 1972 Johny Nash song, “I Can See Clearly Now“.

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time to talk of many things …

the Washington Senators’ Herman Schaefer holds a massive 5×7 c1911 Graflex camera – see wikipedia for explanation/rights/etc.

Toronto. … of SLRs and TLRs and whether pigs have wings (with apologies to Lewis Carroll).

In an earlier post, I noted the introduction of film stopped the use of ground glass in the focal plane to frame and focus a subject.

Well, not really. Some clever folk came up with a way to redirect the rays from the subject to a ground glass to frame/focus and then to the light sensitive media for exposure. The most common way was with a mirror as in the 1911 SLR Graflex shown at left.

The minicam revolution  in the 1930s shifted emphasis to rangefinders and viewfinders initially. Only the Exakta chose the SLR route while Rollei went with the TLR idea. Of course after the Korean war everything changed and most more complex cameras went for the SLR concept.

Whether you hanker for that special SLR or TLR, visit our 2026 events – you will find lots to spark your interest (and perhaps even a rare model SLR or TLR). Our Spring Fair event takes place on May 24th at Trident Hall, a week after we celebrate Victorian Day weekend. As the date of the fair nears, we will pin details and a poster   to the top of this site.

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before auto focus II

a small distance scale representing the correct lens-film setting for the subject at that distance.

Toronto. In the late 1800s when film came along, a simple swapping of media/ground glass in the camera was no longer an option. Initially box camera designs were used with fixed lenses of small apertures/large f-stops allowing everything from 6-10 feet to infinity to be in focus which worked okay in bright sunlight.

To allow more sophisticated cameras to vary the aperture size/lighting, a scheme was worked out where the lens to film distance was changed and the distance displayed on a scale that matched the estimated camera to subject distance. The camera usually had a small viewfinder to set the framing of the subject.

You may find a box camera design or one of the distance setting ‘rack and pinion’ style cameras (eg a Kodak folder) at a 2026 PHSC event like the Spring Fair. The Fair arrives at the Trident Hall May 24th. A poster and directions will be pinned to the top of this site as we approach the date.

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before auto-focus – I

old ground glass magnifiers – left by T.T.&H. and right by C.P. Goerz

Toronto. Before auto focus came along, photographers needed to both frame and focus the subject as well as decide on the best exposure (shutter speed/lens aperture/lighting). With the digital technology of today, many folks don’t even think about focussing.

For most of the 1800s, photography was based on sensitized metal or glass plates, allowing framing and focussing on a ground glass placed in the focal plane. Once framed/focussed, the ground glass was replaced by a solid plate holding the sensitive media in the focal plane.

In the days of ground glass cameras, many photographers resorted to dark cloths over themselves and their camera, the better to see the upside-down image on the ground glass.

To aid the poorly sighted, or to just make sure the right subject plane was in sharp focus, lens makers offered small brass magnifiers such as those shown here. These little gadgets could be easily moved around on the ground glass. Their slight magnification (about 5X at most) would allow a more precise adjustment of the lens/focal plane distance. Usually the photographer’s eye-sight could be corrected by turning the eye-piece so it was closer or farther to/from the ground glass.

The picture at left of the TT&H and Goerz magnifiers was taken with an iPhone 16 under a LED light with no regard for focussing – just framing.

You may spot these magnifiers – or other interesting items at our 2026 events. The Spring Fair is being held at the Trident Hall on Sunday, May 24th, a week after Victoria day here in Ontario. A poster and directions will be pinned to this site as we near the fair date.

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open wide, wider

a brass Zeiss Nr I Protar 85mm focal length f/18 lens a bit wider in diameter than a Loonie

Toronto. As a camera collector, old lenses have always been an interest – especially wide angle lenses such as the Protar at left or the Pantoscop by Emil Busch.

The traditional ‘portrait’ lens is a medium Telephoto. The focal length depends on the frame size (eg. 90mm for a 1×1.5 inch 35mm negative).  The chosen focal length gives the expected facial proportions in a portrait. A longer focal length “flattens” the face while a shorter focal length makes facial features somewhat disproportionate and sometimes if tilted can exaggerate features with geometric distortion.

However; lenses like the Protar line, the Pantoscop and similar lenses are essential for capturing landscapes and groups closer to the camera. I made the majority of  my film shots using a 35mm lens on my Leica. Smartphone lenses are usually described in the 35mm camera equivalent. The common “lens” for the smart phone was 35mm equivalent. More recent models like the iPhone 16 use even shorter focal lengths causing some strange geometric distortion if the photos are not taken with greater care.

Visit our 2026 events and hopefully discover old lenses like these – or other items attractive to your eye. Our Spring Fair is scheduled for May 24th at the Trident Hall (Islington and Evans) in Toronto. As we get closer to the date, I will pin details and a poster to the top of this Web site.

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not so far, far, away

Big Bertha 5×7 Graflex with 36 inch lens at Spring 2006 Fair

Toronto. I took this shot a couple of decades ago at our Fair in 2006. Along with cameras, I collected lenses, books, brochures, etc, that offered information on the history of photography.

I imagine other camera collectors collect lenses too, sometimes special lenses suitable for wide angles like the old Protar line, and others of the telephoto persuasion.

This monster combination was used to capture close-ups of participants in sporting events. Others used these specialty lenses for wild animal  photography. The photo at left was shot at our Spring Fair in 2006. Shown is M. Renaud Therrien of Montreal with his c1930 Graflex “Big Bertha”. The camera takes 5×7 plates and has a 36 inch f/6.3 telephoto lens attached.

These newer lenses are ‘future’ collectibles – and now that we are well into the digital era, the film camera and telephotos like this example are/are about to become collectibles.

Add these lenses or other interesting items to your collection by attending our 2026 events. For example, our Spring Fair is set for May 24th at the Trident Hall in southwest Toronto. As we get closer to the date, I will pin a poster and details to the top of this web site.

 

 

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another use for paper …

The Warnerke roll (paper) film holder in a camera

Toronto. The idea of roll film revitalized the use of sensitized paper (negatives). In fact various roll film mechanisms were developed to use the medium in cameras. An example is the Warnerke Roll Film Holder.

Editor Robert Lansdale wrote about this use of paper in his issue 27-1 article “Advance of the Paper negative …and the roll film holder”.

He begins his article, “The use of paper as a base for negative images has played an important part throughout the history of photography. At photography’s inception, Fox Talbot’s Photographic Drawing of 1834 captured the shadow image of plants and ferns within the body of the paper, while his Calotype of 1840 became the system to produce multiple positive prints from the prime paper negative.

“Criticism against fuzziness and lack of detail caused by the inherent grain of the paper led to the idea of waxing the paper before an open fire to induce translucence to the fibers. Le Gray’s Waxed Paper process of 1851 prepped the paper with wax before sensitizing.

“Glass as a base became desirable with its clarity and stability: albumen became the carrier to the sensitive silver salts. With Scott Archer’s discovery of collodion as the carrier in 1851, all systems were quickly eclipsed by the Ambrotype and Wet Plate Process. The wet plate reigned supreme for some 20+ years due to its fine grain and greater speed. Other improvements were introduced in 1864 with the invention of collodion-emulsion by Sayce and Bolton, thus doing away with the necessity of the silver bath, while Dr. Maddox in 1871 substituted gelatin for collodion in emulsions, leading to the Dry Plate era.

“But devotees to the paper negative were still present. William J. Cox in the 1886 BJP Almanac expounded its virtues in ‘Paper Films Versus Glass Plates.’

“He listed benefits as:
storage of negatives – 250 films equalled one inch of thickness of glass;
weight – two gross of paper negatives weighed less than one dozen glass;
freedom from breakage – accidents could happen even while in printing frames;
freedom from halation – it cannot occur, thus leaves and boughs against a bright sky are microscopically sharp;
increased speed – nearly twice as fast;
cost – half the price of glass and even less on larger sizes;
celerity of development – many paper negatives may be processed in a dish at the same time;
even coating – paper is pliable thus a more even coating can be obtained than on ordinary glass, and as paper can be applied to a curved surface, lenses of greater curvature of field may be employed; etc.”

Members read all of editor Lansdale’s well illustrated article in the issue 27-1 pdf file on the free members-only DVD/thumb drive. Not yet a member? Joining is a snap. Just follow “Membership” above and at right. Send any questions to member@phsc.ca.

And also, you may find these strange holders or other interesting items at our 2026 events.  Our Spring Fair is one such event and is set for May 24th at Trident Hall. As we get closer to the date, a poster and details will be pinned to the top of this site.

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a DAR mystery train

DAR Mystery Train

Toronto. Collectors of old images sometimes concentrate on transportation photos, or have a subset of their collection comprising of transportation/train photos. Here is a mystery you perhaps can solve.

Jeff Ward in Halifax dropped me a line the other day about a cutting he discovered in the old “Times-Transcript” for August 23, 1913. In further research  He found a link to a wiki on the DAR.

Jeff writes, “I noticed the attached ad in a Moncton newspaper (The Times-Transcript) from 1913, mentioning a CPR Photo Car. I wonder if you would be interested in posting it to your blog to see if anybody knows anything about it?

“I was also given a link to a record which suggests the vehicle was rebuilt in 1920. Here is the link” to the DAR home page.

I sent out Jeff’s request to some other members to give some broader access. By the way, collectors of old images may find some to their liking at our 2026 events such as the Spring Fair coming up on May 24th. As the date approaches I will pin a poster and details to the top of this web site.

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