{"id":30291,"date":"2024-12-15T01:03:40","date_gmt":"2024-12-15T05:03:40","guid":{"rendered":"https:\/\/phsc.ca\/camera\/?p=30291"},"modified":"2024-12-13T01:28:52","modified_gmt":"2024-12-13T05:28:52","slug":"ngc-and-magicians-of-light","status":"publish","type":"post","link":"https:\/\/phsc.ca\/camera\/ngc-and-magicians-of-light\/","title":{"rendered":"NGC and Magicians of Light"},"content":{"rendered":"<div id=\"attachment_30292\" style=\"width: 187px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/phsc.ca\/camera\/wp-content\/uploads\/2024\/12\/unhappy.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-30292\" class=\"size-full wp-image-30292\" src=\"https:\/\/phsc.ca\/camera\/wp-content\/uploads\/2024\/12\/unhappy-sm.jpg\" alt=\"\" width=\"177\" height=\"225\" \/><\/a><p id=\"caption-attachment-30292\" class=\"wp-caption-text\">Poet <a href=\"https:\/\/en.wikipedia.org\/wiki\/Charles_Baudelaire\">Charles Baudelaire<\/a> c1863 by photographer Etienne Carjat (from a Woodbury print)<\/p><\/div>\n<p><strong>Toronto<\/strong>. In a recent post, I showed just one of the photographs owned by the National Gallery of Canada (NGC) and displayed in its exhibit of provocative and pivotal photographs.<\/p>\n<p>In issue 19-3, editor Roseborough wrote an illustrated article about the NGC, its exhibit, and the people involved back in the early 1990s. His article begins, &#8220;High above the Rideau River on Sussex Drive, in Ottawa, Canada, commanding a view of Parliament Hill, stands a jewel like structure reflecting a shimmering sun from many facets of its glass dome.<\/p>\n<p>&#8220;The magic of the moment is not lost on entering the building greeted by a long marble ramp flanked by columns ascending to the glass roof. A few more steps and we reach a gallery marked <em>Magicians of Light<\/em>.<\/p>\n<p>&#8220;The heavy door admits us to a cool, humidity-controlled room, dimly lit in deference to the light-sensitive treasures. Each specimen is individually illuminated entirely adequately by filtered cool light to which our eyes rapidly respond.<\/p>\n<p>&#8220;This first gallery contains some of the 129 daguerreotypes given by Phyllis Lambert, Director of the Canadian Centre for Architecture, Montreal. Ms. Lambert is a discerning collector who not only made the daguerreotype gift but also another of 280 Walker Evans photographs through\u00a0the Phyllis Lambert Trust Fund.<\/p>\n<p>&#8220;These daguerreotypes were first shown at the opening of the new National Gallery in 1988 as recorded in <em>Intimate Images<\/em>. The conservation work was performed by John McElhone, assisted by Anne Maheux and Marion Mertens&#8211;all of NGC Restoration and Conservation Laboratory.<\/p>\n<p>&#8220;The National Gallery of Canada was among the first museums in the world to recognize photography as an art form when it organized, in 1934, a series of photography exhibitions. In 1967, under the directorship\u00a0\u00a0(1966-1976) of Jean Sutherland Boggs and with James Borcoman as its first Curator.&#8221;<\/p>\n<p>And as usual, You can \u00a0read the rest of editor Roseborough&#8217;s article in the paper copy of 19-3 or as a pdf on the free members-only DVD. Not a member? Join today (its easy)! See the MEMBERSHIP sub-menu above (form) and the article at right (PayPal). Send your cheque with the form or send the form and use a credit card\/your PayPal account. Questions? Email Lilianne at <a href=\"mailto:member@phsc.ca\">member@phsc.ca<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Toronto. In a recent post, I showed just one of the photographs owned by the National Gallery of Canada (NGC) and displayed in its exhibit of provocative and pivotal photographs. In issue 19-3, editor Roseborough wrote an illustrated article about &hellip; <a href=\"https:\/\/phsc.ca\/camera\/ngc-and-magicians-of-light\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1944],"tags":[2017,676,1053,220],"class_list":["post-30291","post","type-post","status-publish","format-standard","hentry","category-history","tag-article","tag-exhibits","tag-ngc","tag-photos"],"_links":{"self":[{"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/posts\/30291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/comments?post=30291"}],"version-history":[{"count":4,"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/posts\/30291\/revisions"}],"predecessor-version":[{"id":30296,"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/posts\/30291\/revisions\/30296"}],"wp:attachment":[{"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/media?parent=30291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/categories?post=30291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/tags?post=30291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}