{"id":210,"date":"2011-03-05T04:39:50","date_gmt":"2011-03-05T04:39:50","guid":{"rendered":"http:\/\/phsc.ca\/camera\/?page_id=210"},"modified":"2023-08-27T23:30:06","modified_gmt":"2023-08-28T03:30:06","slug":"2000-2004","status":"publish","type":"page","link":"https:\/\/phsc.ca\/camera\/program\/2000-2004\/","title":{"rendered":"2000 &#8211; 2004"},"content":{"rendered":"<table>\n<tbody>\n<tr bgcolor=\"#CCCCCC\">\n<td><strong>2004<\/strong><\/td>\n<td><strong>\u00a0<\/strong><\/td>\n<\/tr>\n<tr>\n<td>January<\/td>\n<td>Albert Kish (Director, NFB): <a href=\"..\/Albert_Kish.html\">Notman&#8217;s World<\/a><\/td>\n<\/tr>\n<tr>\n<td>February<\/td>\n<td>Clint Hryhorijiw, Moderator:\u00a0<a href=\"..\/improv.html\">IMPROV at the GOLD ROOM<\/a><\/td>\n<\/tr>\n<tr>\n<td>March<\/td>\n<td>Peter Little:\u00a0<a href=\"..\/peter_little.html\">THE MOVE\u00a0TO\u00a0DIGITAL<\/a><\/td>\n<\/tr>\n<tr>\n<td>April<\/td>\n<td>Jorge DaSilva:\u00a0<a href=\"..\/henry.html\">THE\u00a0DIGITAL\u00a0SLR<\/a><\/td>\n<\/tr>\n<tr>\n<td>May<\/td>\n<td>Mike Robinson:\u00a0<a href=\"..\/Mike.html\">HISTORY in the MAKING: CONTEMPORARY DAGUERREOTYPES<\/a><\/td>\n<\/tr>\n<tr>\n<td>June<\/td>\n<td>George Gilbert:\u00a0<a href=\"..\/gilbert.html\">THE\u00a0HIDDEN\u00a0LEICA\u00a0STORY, part 2<\/a><\/td>\n<\/tr>\n<tr>\n<td>September<\/td>\n<td>Karen Shopsowitz: <a href=\"..\/DadCam.html\">MY FATHER&#8217;S CAMERA (NFB Video)<\/a><\/td>\n<\/tr>\n<tr>\n<td>October<\/td>\n<td>Lorne Shields:\u00a0<a href=\"..\/shields.html\">EARLY CYCLING PHOTOGRAPHY<\/a><\/td>\n<\/tr>\n<tr>\n<td>November<\/td>\n<td>Members:\u00a0<a href=\"..\/ST2004.html\">SHOW AND TELL 2004<\/a><\/td>\n<\/tr>\n<tr>\n<td>December<\/td>\n<td>Bill Kantymir, Ed\u00a0Warner &amp; Team:\u00a0<a href=\"..\/silent-sequel.html\">(Not SO) Silent Auction &#8211; the Sequel<\/a><\/td>\n<\/tr>\n<tr bgcolor=\"#CCCCCC\">\n<td><strong>2003<\/strong><\/td>\n<td><strong>\u00a0<\/strong><\/td>\n<\/tr>\n<tr>\n<td>January<\/td>\n<td>George Hunter:\u00a0<a href=\"..\/hunter.html\">TALES OF A PHOTOGRAPHER<\/a><\/td>\n<\/tr>\n<tr>\n<td>February<\/td>\n<td>Lansdale, Kantymir, Wilson, Carter, Loban:<br \/>\n<a href=\"..\/highlights.html\">QUARTET &#8211; HIGHLIGHTS of the SHEAN AUCTION<\/a><\/td>\n<\/tr>\n<tr>\n<td>March<\/td>\n<td>Gerry Loban:\u00a0<a href=\"..\/loban.html\">JULIA\u00a0MARGARET\u00a0CAMERON<\/a><\/td>\n<\/tr>\n<tr>\n<td>April<\/td>\n<td>Bill\u00a0Belier:\u00a0<a href=\"..\/treasure_talk.html\">A TREASURE FROM MY COLLECTION<\/a><\/td>\n<\/tr>\n<tr>\n<td>May<\/td>\n<td>Larry Gubas:\u00a0<a href=\"..\/Zeiss.html\">HISTORY OF ZEISS<\/a><\/td>\n<\/tr>\n<tr>\n<td>June<\/td>\n<td>Alf Pyner:\u00a0<a href=\"..\/Ilfochrome.html\">FROM DUFAYCOLOR TO ILFOCHROME<\/a><\/td>\n<\/tr>\n<tr>\n<td>September<\/td>\n<td>Bill Kantymir, Ed Warner, &amp; Team:\u00a0<a href=\"..\/silentShean.html\">(Not SO) SILENT\u00a0AUCTION &#8211; SHEAN<\/a><\/td>\n<\/tr>\n<tr>\n<td>October<\/td>\n<td>Michael Mitchell:\u00a0<a href=\"..\/monsters.html\">MONSTERS &#8211; the photographs of Chas. Eisenmann <\/a><\/td>\n<\/tr>\n<tr>\n<td>November<\/td>\n<td>Paul Hoeffler:\u00a0<a href=\"..\/jazz.html\">DOCUMENTING THE JAZZ SCENE<\/a><\/td>\n<\/tr>\n<tr>\n<td>December<\/td>\n<td>Members:\u00a0<a href=\"..\/ST2003.html\">SHOW AND\u00a0TELL 2003 <\/a><\/td>\n<\/tr>\n<tr bgcolor=\"#CCCCCC\">\n<td><strong>2002<\/strong><\/td>\n<td><strong>\u00a0<\/strong><\/td>\n<\/tr>\n<tr>\n<td>January<\/td>\n<td>Peter Sinclair:\u00a0<a href=\"..\/sinclair.html\">MODERN 3D IMAGES<\/a><\/td>\n<\/tr>\n<tr>\n<td>February<\/td>\n<td>Grant Romer:\u00a0<a href=\"..\/romer.html\">REFLECTIONS ON THE DAGUERREOTYPE<\/a><\/td>\n<\/tr>\n<tr>\n<td>March<\/td>\n<td>PBS Video:\u00a0<a href=\"..\/wizard.html\">WIZARD OF PHOTOGRAPHY<\/a><\/td>\n<\/tr>\n<tr>\n<td>April<\/td>\n<td>Robert Gutteridge: <a href=\"..\/rg-movie.html\">My Film Career &#8211; April 17th, 2002<\/a><\/td>\n<\/tr>\n<tr>\n<td>May<\/td>\n<td>John Linsky:<a href=\"..\/twenty.html\"> Threesome<br \/>\n<\/a><span style=\"color: #444444;\">George Dunbar:\u00a0<a href=\"..\/twenty.html\">Twenty\/Twenty<\/a><\/span><\/td>\n<\/tr>\n<tr>\n<td>June<\/td>\n<td>Bill Becker:\u00a0<a href=\"..\/becker.html\">The 10 Most Influential Photographers of All Time<\/a><\/td>\n<\/tr>\n<tr>\n<td>September<\/td>\n<td>Dr. Jennifer McKendry: <a href=\"..\/kingston.html\">EARLY PHOTOGRAPHY IN KINGSTON<\/a><\/td>\n<\/tr>\n<tr>\n<td>October<\/td>\n<td>Simon Bell: <a href=\"..\/bell.html\">CHARIOTS OF CHROME &#8211; Classic American Cars of Cuba (in stereo)<\/a><\/td>\n<\/tr>\n<tr>\n<td>November<\/td>\n<td>Stephen Bulger:<a href=\"..\/bulger.html\"> THE VALUE OF THE IMAGE<\/a><\/td>\n<\/tr>\n<tr>\n<td>December<\/td>\n<td>Members: <a href=\"..\/st2002.html\">SHOW AND TELL 2002<\/a><\/td>\n<\/tr>\n<tr bgcolor=\"#CCCCCC\">\n<td><strong>2001<\/strong><\/td>\n<td><strong>\u00a0<\/strong><\/td>\n<\/tr>\n<tr>\n<td>January<\/td>\n<td>Nick Graver:<a href=\"..\/nick.html\"> PHOTOGRAPHIC NUMISMATICS<\/a><\/td>\n<\/tr>\n<tr>\n<td>February<\/td>\n<td>Members:<a href=\"..\/showandtell.html\">SHOW AND TELL<\/a><\/td>\n<\/tr>\n<tr>\n<td>March<\/td>\n<td>Boris Spremo:<a href=\"..\/boris_spremo.html\"> PHOTOJOURNALIST<\/a><\/td>\n<\/tr>\n<tr>\n<td>April<\/td>\n<td>Keith Davis:\u00a0HALLMARK CARDS IMAGE COLLECTION<\/td>\n<\/tr>\n<tr>\n<td>May<\/td>\n<td>Lindsay Lambert:\u00a0<a href=\"..\/lambert.html\">PROF. LAMBERT&#8217;S MAGIC LANTERN SHOW<\/a><\/td>\n<\/tr>\n<tr>\n<td>June<\/td>\n<td>Janice Schimmelman:<a href=\"..\/janice.html\"> THE IRON PLATE IN AMERICAN PHOTOGRAPHY<\/a><\/td>\n<\/tr>\n<tr>\n<td>September<\/td>\n<td>Larry Boccioletti:\u00a0<a href=\"..\/Larry.html\">50 YEARS OF COLLECTING<\/a><\/td>\n<\/tr>\n<tr>\n<td>October<\/td>\n<td>Stan White:\u00a0<a href=\"..\/stereo-2001.html\">PSA HALL OF FAME #8 (1997) and WHIMSY<\/a><\/td>\n<\/tr>\n<tr>\n<td>November<\/td>\n<td>Andrew Rodger:\u00a0<a href=\"..\/nationalarchives.html\">NATIONAL ARCHIVES<\/a><\/td>\n<\/tr>\n<tr>\n<td>December<\/td>\n<td>Members:\u00a0<a href=\"..\/Show_Tell_2001\/Text_Files\/show-2001.html\">SHOW AND TELL NIGHT 2001<\/a><\/td>\n<\/tr>\n<tr bgcolor=\"#999999\">\n<td><strong>2000<\/strong><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>January<\/td>\n<td>Jim Williamson:<a href=\"..\/can_history.html\"> THE CBC&#8217;s CANADIAN HISTORY PROJECT<\/a><\/td>\n<\/tr>\n<tr>\n<td>February<\/td>\n<td>Members: <a href=\"..\/show_tell.html\">SHOW AND TELL NIGHT<\/a><\/td>\n<\/tr>\n<tr>\n<td>March<\/td>\n<td>Chris Moore:<a href=\"..\/2000.html\"> CANADA: OUR CENTURY<\/a><\/td>\n<\/tr>\n<tr>\n<td>April<\/td>\n<td>Matthew R. Isenburg:<a href=\"..\/matt.html\"> THE EVOLUTION OF THE CAMERA<\/a><\/td>\n<\/tr>\n<tr>\n<td>May<\/td>\n<td>David Wooters &#8211; George Eastman House:<br \/>\nTREASURES FROM THE IMAGE ARCHIVE<\/td>\n<\/tr>\n<tr>\n<td>June<\/td>\n<td>Christopher Mahoney:\u00a0SOTHEBY&#8217;S AUCTIONS<\/td>\n<\/tr>\n<tr>\n<td>September<\/td>\n<td>Bill Mair Collection:<a href=\"..\/silent.html\"> SILENT AUCTION<\/a><\/td>\n<\/tr>\n<tr>\n<td>October<\/td>\n<td>George Dunbar:<a href=\"..\/george.html\"> 45 YEARS OF PHOTOGRAPHY<\/a><\/td>\n<\/tr>\n<tr>\n<td>November<\/td>\n<td>Ken Nelson:<a href=\"https:\/\/www.phsc.ca\/dtdfu.html\"> DTDFU<\/a><\/td>\n<\/tr>\n<tr>\n<td>December<\/td>\n<td>Robert Gutteridge:<a href=\"..\/Kinetoscope.html\"> THE BEAVERTON PROJECTOR<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>2004 \u00a0 January Albert Kish (Director, NFB): Notman&#8217;s World February Clint Hryhorijiw, Moderator:\u00a0IMPROV at the GOLD ROOM March Peter Little:\u00a0THE MOVE\u00a0TO\u00a0DIGITAL April Jorge DaSilva:\u00a0THE\u00a0DIGITAL\u00a0SLR May Mike Robinson:\u00a0HISTORY in the MAKING: CONTEMPORARY DAGUERREOTYPES June George Gilbert:\u00a0THE\u00a0HIDDEN\u00a0LEICA\u00a0STORY, part 2 September Karen Shopsowitz: &hellip; <a href=\"https:\/\/phsc.ca\/camera\/program\/2000-2004\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":34,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-210","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/pages\/210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/comments?post=210"}],"version-history":[{"count":10,"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/pages\/210\/revisions"}],"predecessor-version":[{"id":219,"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/pages\/210\/revisions\/219"}],"up":[{"embeddable":true,"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/pages\/34"}],"wp:attachment":[{"href":"https:\/\/phsc.ca\/camera\/wp-json\/wp\/v2\/media?parent=210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}