enlarging

19th edition of enlarging (1969), by Jacobson and Mannheim. Published by focal press

Toronto. Well into the late 1940s, most photographers made contact prints. A camera was chosen for the size of the negative it made. In the mid 1930s, the so called minicam revolution was under way. After the second world war the use of small negatives and enlargers became almost universal.

Even newspapers switched from the bulky large format cameras and contact prints to the small negatives and enlargers. Darkrooms without enlargers became a thing of the past.

In 1939, the very first edition of C. I. Jacobson’s book, “enlarging” was published by the focal press. By 1967, the book had reached nineteen editions and was now co-edited and co-written by L. A. Mannheim. I bought my copy new from Rodick’s Booksellers on St Catherine Street in Montreal, a few blocks west of Peel, in August of 1969 for the princely sum of $9.95.

The 525+ pages of this edition covered the finer points of darkroom work for the films of the day. Those who have grown up in the era of digital photography, computers, and smart phones have no idea how much skill and effort it took in the darkroom to create a technically solid print even before art considerations entered the picture and turned a snap-shot into a work of art!

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exposure

Exposure by W.F. Berg 1955 focal press

Toronto. Mid last century was the golden era of photography. The processes were getting better, cameras were becoming more ergonomic and precise, and technical and coffee table books were offered in wild profusion. Capitalizing on this renaissance was focal press in England. The publisher produced books on every imaginable photographic topic.

The books had a style all their own. Text was profusely illustrated with tables, nomograms, and diagrams galore.  A few plates of photographs were printed and tipped in in clusters to illustrate a particular technique.

Exposure by W.F. Berg was typical of the focal press books. It was first published in 1950 and again (second edition) in 1955. Mine is a second edition which I bought used ($3.00) in October of 1960 at Mitchell Photo Supply which faced Dominion Square in Montreal.

Exposure was one of the single word titles in the Photo-Technique series edited by A. Kraszna-Krausz. Exposure actually covered the fundamentals of camera technique in about 440 or so pages. I bought many of the focal press books over the years and educated myself reading them from cover to cover and applying the learned knowledge and skills behind my camera and in my darkroom.

It was a far cry from today’s digital mavins who often get excellent photos without a thought about technique or concept. In the days when you had to understand the technology to get a decent photograph, materials cost money which was often in short supply. I look back on my negatives today and marvel at how few shots were taken during any one event. Every shot counted so technical skill and good framing were essential.

With our digital camera or smart phone, we take dozens of shots expecting at least one to be technically sound and worthy of saving. As all the others were basically zero added cost,  we can delete them with a clear conscience.

 

 

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light and bright

LIFE ad for Argus projector

Toronto. What could those 8mm movie fanatics really, really want in a projector? Tiny? Compact? Light? Room filling? Bright? All of this and more?

According to this September 15, 1958 ad in LIFE, Argus created all these things. Through engineering, the projector was shrunk in size and reduced in weight. A fast (f/1.5) wide angle lens made it room filling and the use of a special Sylvania projection bulb with a built-in reflector solved the brightness issue. (Sylvania owned Argus at the time.)

With this wizardry, a family could sit in a darkened room and watch fuzzy, low resolution movies stutter across the screen. Hard to imagine today when you can view a high resolution, sharp, bright video in daylight on a screen so small it fits in your pocket!

Commercial movies, how-to guides, works by students and little kids, TV shows and series (streaming), and tons more free shorts on sites such as Youtube. Even school kids have the skills and tools to make video shorts that were simply impossible half a century ago. Amazing!

Thanks George for another thought provoking ad from the ubiquitous LIFE magazine that spread the words and pictures of a middle class American way of life in the mid last century.

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great camera equals great photos… yeah, right

Argus C-44 ad in the 1958 LIFE

Toronto. The marketeers were at it again in the September 15, 1958 issue of LIFE magazine. Argus was busy marketing its latest marvel, the C-44 (C44) camera, replacing the awkward but loved old brick (C-3) and the follow-n C-4.

The suggestion was that a great camera like the C-44 would help you develop your skills and in no time you would be taking great photographs, using its wide angle and telephoto lenses along with the special turret viewer accessory.

A tip of the hat to George Dunbar for suggesting the C-44 advertisement.

 

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Photo Cuba 2020 with Simon Bell

moderator Simon Bell

Toronto. PHSC member and past president (etc.) Les Jones sent me a note regarding a photo workshop  in Cuba next January.

Les writes, in part, “… we like Cuba & have never been to Santiago de Cuba area. Air & hotel & food for one week is around $900 !!!!  with Sunwing DIRECT …”. Les goes on to say the workshop is another $1,000 dollars and hosted by author, photographer and  PHSC speaker, Simon Bell.

Looks like a great vacation and workshop for anyone photographically inclined.

 

 

 

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who needs Photoshop, anyway?

Photoshop in 1958??

Toronto. A few days back, my friend, George Dunbar, sent me this picture from the Miscellany column, page 96 of the August 18th, 1958 issue of LIFE magazine. The photo shows how careful framing can trick the eye – just like Photoshop can decades later on a whole new technology (digital).

In this case, it was purported to be in-camera magic, not the more common darkroom type of which all those of a certain age can verify, often from personal experience.

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WCPHA newsletter for October 2019

Toronto. Well, it’s hard to imagine but another month is over and 2019 is on life support as we look forward to year 2020 – a reminder of perfect vision :-). My good friend, editor Bob Lansdale sent me the latest newsletter issued by the folks out west at the Western Canada Photographic Historical association (WCPHA).

I was pleased to see Tonchi’s fair is noted as well as a tribute to Vancouver photographer Fred Herzog.

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Vincent Fournier exhibition

Black Helmet – Fournier

Toronto. Next month (October 3 – November 3) Galerie GADCOLLECTION is featuring “Past Forward“. Vincent Fournier is a French photographer born in 1970. If you happen to be in Europe this fall, drop in at GADCOLLECTION in Paris and take in this exhibition.

You may even find a photograph or two to add to your collection or brighten up your walls!

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winning at all cost

bridge over troubled waters…

Toronto. George Dunbar sent me this photograph from the Miscellany column (p 98) of the September 1, 1958 issue of Life magazine.  Three young Japanese boys “pretend” to hold up rails as a train passes over head, its wheels rumbling just inches from their fingers. The boys are terrified – and rightly so! Buuuut the photo did win first prize back in 1958…

Certainly a stunt not for the faint of heart, especially those in front of the camera.

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Jenna Hobbs, Edmonton Photographer

Jenna Hobbs’s selfie of her and her five children at home…

Toronto. I was pleased to read in Thursday’s Globe that Edmonton photographer, Jenna Hobbs of the Hobbs Photography Studio was a finalist for the Luxembourg Art prize. Congratulations and we hope you win big time!

Jenna and her sister-in-law Aimee operate the studio from the family farm. Take a look at the  fabulous photographs the two create.

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