need a Flektogon 25mm plus an Exakta?

Exakta c1960 with f/4 25mm Zeiss Flektogon lens

Toronto. The Exakta brand is well known in collector and user circles. Exaktas were the earliest 35mm (kine) SLRs and were available new into the 1960s. The Flektogon f/4 25mm lens made by Zeiss Jena was only made for about three years (1960-62) making it far rarer.

The Flektogon was sold for the Exakta mount or a Leica M42 mount.  You may be able to find one at our fall fair in a couple of weeks, or as a lot next month in our estate auction. What makes this lens attractive is its ancestry (Zeiss) and extreme wide-angle, especially for an SLR camera design. A retro focus design (reverse telephoto) was mandatory for even many normal lens to clear the camera’s mirror.

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THA this Saturday with Wendy Smith

THA October 19, 2019 1:30pm

Toronto. This Saturday, October 19th, 2019 the Toronto Historical Association (THA) will host a talk on old Toronto by Historian Wendy Smith at Campbell House on the north west corner of Queen and University.

Please RSVP at info@torontohistory.net to be sure of a place at Campbell House.

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latest ESHPh newsletter sent to all members

ESHPh Autumn newsletter

Toronto. The latest issue of the European Society’s newsletter (Autumn 2019) was mailed to all members recently. We and they have been exchange members for many years. I always check for Canadian items and I see our auction has made the calendar this time (November 17th).

Take a few minutes and have a read of this newsletter to see what our cousins are up to this fall!

 

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scary movies with Terry Lagler

Scary Movie Night

Toronto.  Wow! It’s halloween again  and we asked Terry back to show some scary movies  in recognition of the season! Check out Sonja Pushcack’s October’s newsletter, or click on the icon at left for details.

We and Terry will supply the chills and popcorn – you do the rest!

The public is always welcome. Go to our Programs page for times and directions.

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October 2019 PHSC News out

Hasselblad goes to the moon

Toronto. Get your news here! Read all about it! Latest issue of the PHSC News newsletter was released Friday morning. Not on the list? Send me a note and read the latest issue here.

Sonja has published another themed goody for all you photography fans featuring items apropos Halloween – that scary time of year when skeletons dance in grave yards and spooks and goblins scour the neighbourhood shouting, “trick or treat“.

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Photo News 28-3 (Autumn 2019) issued

Dreamscapes by Viktoria Haack – Cover shot of current PHOTO News magazine

Toronto. Last Wednesday, I was delighted to find the latest issue of Photo News in my Globe and Mail. The cover shot is by Viktoria Haack showing a girl sitting on a rock looking across a lake at glaciers and mountains.

Ms Haack emigrated from the UK to BC. She is featured in an article titled “Dreamscapes” under the topic of “Lifestyle Photography” beginning on page 32. Visit her website to see more of her work – simply gorgeous photos!

All issues and more detail is listed on the Photo News website. If you don’t see this copy in your favourite newspaper, or on your local newsstand, see it on line at Photo News.

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Rochester Library Website

Cover – 1906 Kodak Catalogue at Rochester Library

Toronto. My good friend Werner Drechsel pointed out the interesting “Central Library of Rochester and Monroe County” website. On it is a Kodak 1906 catalogue in pdf format which  makes a great read and research tool.  Have a peek at it. If it is oversize in your browser, download it and view it in a pdf reader.

Werner mentions that the site came up when he was researching B&L shutters.

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Zeiss and Photography book goes on sale

This gallery contains 1 photo.

Toronto. Larry Gubas has asked Petra Kellers at Camerabooks to discount his opus on the iconic Zeiss organization and its involvement in photography. This massive 7 pound book has letter size pages in full colour plus an added DVD containing … Continue reading

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100 feet of Pan-X

100 feet of Pan-x film

Toronto. I mentioned a while back that bulk film loads saved money. You spoolled just what you needed in 24 or 36 frame increments using new, used, or special cassettes – and a bulk film loader plus a reel of bulk film.

100 feet came in a sealed light tight metal can 4 inches across and 35mm deep. The reel of film was encased in a light tight black paper bag and secured with a strip of paper forming a ring around the reel.

Some colour films, like Anscochrome, were pre cut in 36 frame lengths with special template cuts marking off each 36 frame length of film. Other films, like Kodak’s Pan-X or other Kodak and Ilford black and white negative film came in simple spools of 50 or 100 feet.

Some makers like Leitz sold special cassettes while users could buy new empty cassettes or save up used cassettes and ignore the “single use” caution (these cassettes used felt light traps which might trap dust and dirt making “tram tracks”along the film strip as each new frame was moved in place in the camera).

I used all three varieties of cassettes over the years with no apparent difficulties. Leitz cassettes where heavy brass and used a special light tight door which opened wide once the cassette was loaded in their Leica cameras. Their cassettes started out cheap but near the the end sold for about $100 each retail!

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1958 – what a year! what a decade!

August 11, 19958 article in LIFE

Toronto. On page 13 of the August 11, 1958 issue of LIFE magazine is the lead article touting the amazing rise of photography in the States (and, although left unmentioned in this American-centric magazine,  around the world, too) over the decade of 1948-1958 – and 1958 was barely half over at the time.

Like I noted in the recent posts, it was indeed the golden age of photography. The photo selected here is a convention of Jehovah’s Witnesses at Yankee Stadium in the big apple. Sitting on the dugout roof are a flock of photographers – most if not all amateurs. Cameras range from dead-simple box cameras to the most elaborate models made at the time.

All cameras then used film. In fact, most amateurs used black and white negative film. Marketeers struggled mightily to encourage the shutter bugs to move to colour and flash using American made cameras, films, and bulbs. Short years later American cameras (except Kodak) and flash bulbs had sunk beneath the waves of history seldom to be seen again. This was mostly followed around the end of the century by film itself as digital and smartphones took over.

Today, film technology is a stubborn niche process practiced by students and historians alike. Fairs and auctions like our PHSC ones serve these communities as well as collectors with cameras, accessories and materials no longer sold in retail shops!

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