Rokkin’ lenses

LIFE ad December 1963 for Rokkor lenses and Minoltas

Toronto. By 1963, the Japanese Optical industry was a tsunami roaring across the Western world. No longer viewed as copy cats of German technology, Japan was rightfully recognized as a serious contender for high quality optical products.

A December 6, 1963 advertisement in LIFE (p 91) was typical of the new view of Japan and its products.  Minolta touted that “these lenses [Rokkor]  are one reason you get better pictures with Minolta cameras“. Just over six years earlier I bought my first good 35mm camera – a Minolta Super A with an f/1.8 Rokkor lens. I was blown away with that lens’s clarity and quality. The camera used a behind the lens leaf shutter and had a small contingent of alternative lenses – all Rokkor lenses. The biggest selling point to me: it was a fraction of the price of an equivalent German camera in 1957.

Quietly, I was impressed by the quality of both the photographs it took and the care taken in its manufacture. About a year later I bought a high end German camera made in Dresden (Russian at the time) – an Exakta VX IIa. The lenses by Steinheil and Angenieux were well made but the camera was a disappointment in its construction. It went back to Toronto to fix a pressure plate that scratched the film and returned with the same plate now polished and bright – no flat black coating (like the original had) was ever added.

The mirror return failed and thereafter I had to take off the lens and set the mirror by hand. The lens mount eventually failed and I had to manually spread the tiny slots to make the camera hold lenses steady once again. Interior stops shredded over time. Gears were thin, not robust like the Leicas of the day. About 15 years later, I bought a Leica M4 which was exceptionally well built, but even today I remember the little Minolta and how well it was made and worked. The Rokkor lens put to rest my own view of Japanese vs. German quality.

My thanks to George Dunbar for passing along this bit of history.

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we usually eat our peppers …

Edward Weston – Peppers (partial) 1929

Toronto. Edward Weston (1886 – 1958) was a famous American photographer. in 1973 I bought a coffee table sized book celebrating 50 years of his work including a biography written by Ben Maddow and published by Aperture Books. The 285 page book was published on fine quality paper and reproduced a selection of his work at the highest printed image standard. Hard to imagine such quality today, especially when the book cost $25 at the time.

Weston was as notorious for his affairs (like that with photographer Tina Modotti) as he was famous for his photographs. Do a search online and learn more about this accomplished American photographer and his most famous works.

 

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a touch of plastic

making a spash

Toronto. The folks at Lomography are offering a simple film camera complete with a roll of their colour film (positive or negative) and a clear waterproof housing good for about 10m depth.

Their press release states, “Dear Film Photography Friends and Press Partners,

“We are excited to announce the release of Analogue Aqua – Lomography Simple Use Reloadable Camera + Underwater Case. Available from our online shop and selected retailers, the latest addition to our reusable Simple Use family lets you dive down to depths of 10m and comes in two preloaded editions – with our Color Negative 400 film for classic analogue character or with our LomoChrome Purple film with special color shifting compounds that yield extraordinary violet hues.

“Available at 39.9 USD
“Delivery in May
“Preloaded with Color Negative 400: https://shop.lomography.com/simple-use-underwater-camera-lomography-cn400-film

“Preloaded with LomoChrome Purple: https://shop.lomography.com/simple-use-underwater-camera-lomochrome-purple-film

” lightweight, pocket sized, reloadable film camera is the perfect travel companion. Whatever the weather, the special edition Simple Use Reloadable Film Camera + Underwater Case is a must for any analogue adventure. Built to last and super versatile, this intrepid image maker is perfect for beginners and includes three vivid Color Gel flash filters and a powerful in-built flash.

“An analogue original with added underwater appeal, this is an entirely reusable unit. Once users have shot their first film, they can either refill their Underwater Case with a brand new preloaded Simple Use Reloadable Film Camera or reload the camera itself with any 35 mm film.”

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and you think printer …

An Epson 2019 Pano winner. Yashihiko Wada of Japan

Toronto. The massive Japanese company, Epson, is known for its printers and other electronic accessories. But it also hosts the annual photographic contest called, “The EPSON International Pano Awards” with its traditional large number of categories and prizes. Their 11th annual programme (for 2020) is now open for its early-bird entries.

Have a look! And see what YOU can do this year!

 

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if you can read …

Famous Photographers School – LIFE ad from 1964

Toronto. … you can learn! Or so the American “Famous”schools touted last century.  Famous Artists School and Famous Writers School operated by correspondence on the premise that reading could make you an artist or writer.  In the same spirit, Famous Photographers School would teach you how to be a photographer and reduce the number of high demand jobs going unfilled, or earn money as a local photographer.

This full page ad by LIFE on page 7 of the February 21, 1964 issue used their in house and contract photographers as the experts who would train you as if you apprenticed to them. An idealistic advertisement that infers reading is comprehension and anyone interested in the subject can be taught to be a photographer.

Many books were published on all aspects of the art, but realistically, the truly successful photographers had unique talent and spent long hours and hard work to rise above the lesser lights. My thanks one of those talented folk, retired photographer George Dunbar who discovered this advertisement in the course of his research into photography as it was over a half century ago.

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a Canadian icon dies at 90

Ted Grant (from book by Margaret Lansdale)

Toronto. I received an email Friday from George Dunbar. He happened to browse a copy of the Globe on Thursday. George writes in part, “Did you see the huge (two-page) obit for photographer Ted Grant in Thursday’s Globe & Mail?

“I was at a drug store yesterday and decided to buy a newspaper……the first time I held a newspaper in 30 days. Before the lock-down, I often went to a library and read three Toronto papers. I miss that experience.”

A few hours later, Bob Lansdale also sent me an email. Bob writes, “First story on Ted Grant who I knew back in my press days…..  We tried to get him as a speaker but the timing would not work.”

Bob included this article from the LHSA by Helen Todd. Ted was well known as a Leica user and while he never spoke to us in person, we did see his DVD at our March 19, 2014  meeting in Toronto, courtesy of Bob Lansdale’s efforts.

Ted was within a few weeks of turning 91 when he died in Victoria, BC. The CBC posted this article 4 or 5 years ago. A more recent CBC article here mentions Ted’s death on April 19th, 2020. Ted was hospitalized after falling and breaking his hip this past February. He never fully recovered from the surgery according to his son (and photographer), Scott Grant.

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bakelite beauties

Leitz Bakelite products

Toronto. Leo Baekeland was born in 1863 in the Belgian city of Ghent. As a professor of physics and chemistry, he and his wife visited American universities in 1889 and he joined the photographic firm of E and H T Anthony. Two years  later, he resigned and formed his own company. He invented a photographic enlarging paper named Velox which became immensely popular after its sale to Eastman-Kodak in 1889. In 1907 in NYC he invented bakelite, the first synthetic plastic. Bakelite has had a long history since it was first sold (the name bakelite comes from the name of its inventor, Leo Baekeland).

Bakelite is easily moulded, stable, heat resistant and does not conduct electricity. From its invention through most of the last century it proved popular for radio, automobile, electrical, telephone and commercial products. In the mid last century it was used by Leitz to make lens cases, film cases, etc. (the ones shown are mine, taken with an iPod Touch on my desk under an LED lamp). Mid last century it was often used to mould inexpensive camera bodies by Kodak and its competitors. If you touch a telephone, a radio, or a cheap camera from mid last century, chances are you touched bakelite!

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holy mouse-traps, Batman!

Mouse-traps (cameras wth a thumb sized hole in front to check exposure status) c1838.

Toronto. Sitting comfortably on vacation on the shores of Lake Como, Henry painted the lush Italian landscape. 1834 was a wonderful year. As he idly dreamed, he thought about ways to capture the scene without recourse to his brushes.

Back home in England, William Henry Fox Talbot, to use his full name, began to experiment and came up with salted papers based on the earlier work of his fellow countryman, Wedgwood.  The paper was placed at one end in a small wooden box. A lens was attached to the other end and focussed to sharply record a black and white image. A hole and cork in the front of the box next to the lens let Talbot see when the salt-paper was sufficiently exposed.

He discovered a subsequent wash in a weak salt bath would removed the paper’s sensitivity to light. Only one problem remained – the image on the paper was reversed! In a stroke of genius, he placed the reversed image over another sensitized paper in bright sunlight and voilà! He made a positive image. Not only that, but he could replicate the positive image at any time and in any quantity.

A few other issues remained, and would do so for many years: The fibres in the paper reduced the image’s resolution; the process was lacking in contrast; and it was monochromatic in colour. But Talbot and his little mouse-trap cameras had created the negative-positive process which would become a world standard for over a century.

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have camera, will travel

c1939 photograph of a baby on a pony.

Toronto. The dirty ’30s! What a terrible time. What a wonderful time. Itinerant photographers, known since the beginning of the art, roamed the streets searching for a buck. Many had just a camera plus a pony and assistant for a prop. The dog and pony show at left was taken by one such roving lensman around 1939. It was popular to use a pony for baby shots, after all what mom could resist a portrait of her baby riding a pony!

For the photographer, the pony became a prop and the sunny outdoors his studio. At night the orders of the day could be processed and printed, ready for delivery to the proud mother for just a few pennies. One such photographer came around when I was about two or younger, capturing me and our little terrier standing on the porch of our home.

That day was many decades ago and if I didn’t have the photograph, I would never have even known about the pony, dog, camera, or photographer. In fact, I was unaware of the location since my first memories are of a house some blocks away and a few years further on.  Less than a decade later, another itinerant photographer and pony came along and photographed me holding my baby sister at another house a few blocks away from the other ones.

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OCCS woes continue with pandemic

Toronto. Our friends across the lake in Ohio have wisely decided to postpone ann events until this fall. They plan to stay in touch via their facebook page (linked here for your convenience).

OCCS announcement April 24th 2020.

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