homeward bound

Posted on January 16, 2025 by Robert

Homeward bound running engine 1337 on an Ontario CNR line

Toronto. In 1966, Simon and Garfunkel released a song written by Paul Simon in England. The title is apropos this post.

The photo at left shows an old engineer piloting his steam engine home. By the time the song was released, the old engineer and his engine had passed into history – railways shifted to diesel engines; the old engineer shuffled off his ‘mortal coil’.

A subset of image collecting is ‘transportation’. Image collectors can investigate their collection and dig out old railway photos. Don’t disregard postcards – some use real photos depicting various modes of transportation.

No suitable photos? Drop by our 2025 events – or a postcard show – you may just find those photos that complement your collection. The event, date, and location will be shown here on the right hand sidebar and included in a specific post close to the event date.

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a different kind of rolls

Posted on January 15, 2025 by Robert

late 1880s ad in the BJA for Eastman Stripping Film

Toronto. We have all seen the famous British Rolls Royce automobiles and the aircraft engines of the same name. But what about rolls of B&W film? Eastman Kodak made many different ones for their cameras (and the films were used by their competitors too).

Eastman began with a ‘negative paper’ ‘film’ for his cameras but printing through paper was too grainy. The earliest ‘flexible’ film roll on a transparent backing had to be stripped off the backing before being contact printed. After a brief period, an optically clean transparent film was invented and the stripping film disappeared forever.

True to Ev’s dictum of reprinting articles of interest to PHSC members, Ev reprinted Reed Berry’s fine article on “Eastman Roll Films”, beginning with the infamous ‘paper negative’ that pre-dated stripping film. Those of us who can even remember B&W roll film are far too young to remember stripping film originally designed just before and used in the famous Kodak camera of 1888. The Kodak came with the famous catch-phrase “You Press the Button and We Do the Rest”. This slogan was logical as Eastman targeted amateur photographers (and they had the facilities and equipment to successfully strip and print the temperamental stripping film back in Rochester).

Mr Berry begins, “This article discusses the black and white roll films made by the Eastman company for use in the Kodaks, Brownies, etc., and in roll film holders made by the company. Also, a few films produced for use in non Eastman cameras are identified.

“Color roll films are not considered, nor are films for specialized purposes (such as photographing oscillograph traces). The period covered is from the middle 1880s to about 1935. Much of the information is from Kodak and other camera catalogs. These and other sources are listed in the Bibliography.

“Eastman Negative Paper
The first Eastman roll film was of Eastman negative paper, for use in the Eastman-Walker roll holders. This film, offered when the Eastman-Walker roll holder came onto the market in 1885, consisted of paper coated with a dry plate emulsion, and was color-blind (i.e., sensitive only to the ultraviolet and blue portions of the spectrum).

“Since the paper backing was not transparent, after development the negatives were routinely treated with oil or wax or a trade preparation called Translucine which penetrated the paper and decreased its opacity. This treatment reduced the time required for printing from the paper negatives, but did not reduce the grain in the paper.”

The next part of the article discusses stripping film and the B&W films on optically transparent material. To read the rest of Reed’s article, view the pdf file for 20-2 on the free members-only DVD. No DVD? Become a member – joining is easy! Peek at the MEMBERSHIP sub-menu above (especially the Membership Form) and the article at right (PayPal). Send payment with the form or send the form after using your credit card/PayPal account. Questions? Email Lilianne at member@phsc.ca. For camera and image collectors (and history buffs) membership is rewarding – and also inexpensive.

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it’s the happy gang …

Posted on January 14, 2025 by Robert

PHSC President
Clint Hryhorijiw

Toronto. … when I was a kid, my mom sometimes had the radio set to CBC making me an accidental listener to part of  The Happy Gang at lunch time.

Well, January 8, 2025 was our 54th executive meeting by ZOOM. A few folk were missing due to various unexpected things. Meantime, dates have been firmed up for the two fairs and trunk sale. Action is currently underway to firm up the date of our spring Auction (likely in March).

I mentioned last month that Patrick Gunn is the new newsletter editor. His first newsletter (not Dec 2024, but Jan 2025) is finished and ready for proofing before being issued via MailChimp.

Action is still quiet on the Membership front although renewals are coming in quickly and shared with Secretary Lilianne Schneider. Did I mention how easy it was join/renew? See the MEMBERSHIP menu above (form plus cheque submission) and/or our PayPal button at right (PayPal account or credit card). New/Renew memberships received after October began this month.

To repeat, our journal is in ‘pdf format only’, so an email address is essential. Issue 50-3 is available now. A MailChimp notification was sent to all member emails on December 31st. Issue  50-4 is currently being assembled.

Important: if  you have UNSUBSCRIBED to our list, you will not receive notification nor Photographic Canadiana nor other info. MailChimp does not permit me to reinstate a specific email address once unsubscribed by the owner. Renewal of such addresses are only possible via a form, not on our site.

Also, if you change email addresses, please tell us – MailChimp will tag the old address as CLEANED (they cannot add your new address automatically). If you are a member but HAVE NOT seen any notification for Photographic Canadiana since you registered or renewed, please email Lilianne at member@phsc.ca.

Celio Barreto reports that speaker, Ms Janine Freeston, of Oxford, UK) will talk January 15, 2025 on some old colour Processes. You can order tickets (free) via Eventbrite.

Celio continues to  populate our YouTube channel with past presentations. The channel is linked at right – just click the icon marked EVENTS.

Social media editor, Ms Markovic provided a brief update. She recently (Dec 2024) presented a talk on Ms Minna Keene to a delighted audience at TMU. Well done, Mina!

not all the gang is shown here

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end of the line

Posted on January 13, 2025 by Robert

Last run of steam – engine number 6060. July 26, 1962. Barrie ON

Toronto. Pre WW2 activity started to replace steam engines in North America with diesel but progress was very slow given funds invested in steam.  Post WW2,  action slowly heated up. Change was well underway by the 60s and over in the 70s.

Even recording companies like Audio Fidelity (AF) got on the bandwagon – AF issued a  stereo sound recording of both steam and diesel trains (AF used 33 1/3 LP for its 1958 release).

At left is a typical polaroid snap showing the last steam engine run on the CNR lines in Barrie. A bit fuzzy and off colour but nevertheless a record of history in the making. The gentle sound of steam whistles as trains sailed past rural road crossings are long gone and few can ever consider the honk of a diesel romantic (comedians joked about the new sounds).

Collectors of transportation photos likely include many photos of  steam engines as railroads used steam for the most part from their beginnings on to the diesel era. Steam had the odd pre-diesel diversion to electricity in cities when the population successfully fought steam power and its dirt and noise. Now-a-days diesel itself – like digital photography – is mature enough to attract collectors (especially the really old diesel trains).

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remembering Ted (1914-1994)

Posted on January 12, 2025 by Robert

A Leitz CEYOO flash like the one I first bought from Ted

Toronto. When I joined the society in 1975, I met a charming person in Ted Shepherd. Ted sold me one of the first Leitz accessories I ever bought – a fancy B-C flash that connected to my M4.

The following year Ted became president of the Toronto branch of the PHSC (1976-1979). I can still hear his piercing whistle to call members from the vendor tables around the hall (North York Library Auditorium) to sit and hear the speaker of the evening.

In those early dates we didn’t always photograph people and events clearly. In issue 20-1 the late Bill Belier wrote a brief obit for Ted who died March 7, 1994. The picture Bill/Ev used is not suitable for this post so I used an image of a CEYOO flash like the one I bought from Ted.

The obit is as follows: “Ted Shepherd, one of oldest and most devoted members, died in Markham, Ontario on March 7th. In the early years of the Society, Ted was a familiar face and active participant at most of our activities.

“He gave generously of his time at the display booth we once had at the Canadian National Exhibition, he was a Past President of the Photographic Historical Society of Metropolitan Toronto, and a model builder of exceptional talent (See Photographic Canadiana, Vol 12, No. 1 (May-June 1986) ‘Daguerreotype camera replica’.)

“Most of our older members will remember Ted in terms of being a ‘photographic buff‘, but he was a man of many talents and had other interests. In the 1920s-30s, he played with well-known Toronto dance bands as a professional musician. During the war, he worked on the R.A.F. Mosquito bomber project at Downsview.

“He became one of the leading Canadian authorities on antique telephones, and he was both President and Secretary of the Telephony Society of Canada. In later years Ted became interested in clocks and timepieces and restored several fine examples of early craftsmanship.

“Ted retired from the Robert Simpson Company in 1979 after a long career in the jewellery department, and later in the executive offices.

“When I reflect on the forty-seven years that I have known Ted, I seem to dwell more on his personality than on his accomplishments. Ted was a soft-spoken, very kind man, with tolerance and understanding for others that can only be described as a virtue. It was my privilege to be called his friend.

“Ted is survived by his two daughters, Vivian and Virginia, their husbands and his two beloved grandsons. His wife, Phyllis predeceased him in 1983.

Bill Belier

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mystery man

Posted on January 11, 2025 by Robert

Brodie MacPherson – Photo by Eric Trussler – from PPO Archives

Toronto. In issue 20-2, Ev draws on his experiences in the PPO for a captivating article on a truly eccentric character – photographer, Brodie MacPherson.

His issue 20-2 article begins, “Tall. opinionated, reclusive and clever are all adjectives applicable to one Brodie Macpherson, one of the earliest Canadian exponents of dye printing.

“His one-time experience as a lithographic camera operator brought a great deal of practical experience to his photographic work, in particular his ability to do ‘step-and–repeat’ exposures on matrices for the wash-off relief, later Dye Transfer, process.

“Brodie standardized on 11” x 14″ mats on which he made multiple images. On one occasion I ordered 100 prints with 56 small cereal boxes on each perfectly registered print. These were delivered in a few days. He had also a rapid transfer system.

“His native mechanical ability and ingenuity were enhanced by a degree in engineering from the University of Toronto, which he never mentioned. Neither did he mention his stint with the airforce in Africa and, it is believed, a decoration. The only evidence of which existed in a snap of him in khaki shorts wearing, in addition, an R.A.F. handle bar moustache which became sort of a trademark.

“Brodie, as I have said, was opinionated. Seated in the back row at photographic society meetings, stroking his moustache, he could be counted on to object to something. Following a concerted groan by those present, frequently he would be proven correct. …”

This is just one of many articles written by Ev Roseborough during his time as journal editor. To read the rest of this article, view the pdf file for 20-2 on the free members-only DVD. To join, see the MEMBERSHIP sub-menu above (especially the Membership Form) and the article at right (PayPal). Send your payment with the form or send the form after using your credit card/PayPal account. Questions? Email Lilianne at member@phsc.ca. Membership is rewarding – and inexpensive.

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PHSC Meeting Jan 15, 2025 via Eventbrite

Posted on January 10, 2025 by Robert

Toronto. Hi folks, this is our first presentation in 2025. It features Ms Janine Freeston of Oxford speaking on early colour photography. Be sure to register on Eventbrite here (poster is a jpeg and as such does not have a live link). 

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too good to be true …

Posted on January 9, 2025 by Robert

Leitz collapsible 9cm M series lens with rear cap and hood

Toronto. One interesting thing done by editor Ev Roseborough was to reprint articles of interest to our members that first appeared elsewhere.

In May 1991, we hosted Jack Naylor who spoke with us about his collection and later distributed a PHSNE pamphlet he created showing the many 35mm cameras that predated to famous Leica.

In issue 20-1 (May/June 1994) a paper by Jack and fellow collector Dr Burton Rubin was reproduced. The title of the paper is, “Exposing Another Camera Fraud“. The PHSC journal version is followed by a report of other frauds and is titled, “Collector Scams Increase …”

Often, a scammer will use a cheaper model of a high end camera (eg Leitz [Leica], Zeiss, Rollei)  and modify it to appear as a rare very expensive model. In other cases like those reported in 20-1 the actual cameras offered are non-existent and instead a ‘down payment’ or full payment is requested to part the greedy and gullible from hard earned dollars.

The reproduction of the article by Jack and Burton begins, “Police Sargent Graham and Postal Inspector Schierle were staked-out at ‘Suite 149′, on January 6, 1994. In fact, they were at Box 149, a mail drop used by Tarheel liquidators at a legitimate mail box and fax store at … in Charlotte, North Carolina.

“The police were waiting for the renter of the box, ‘David Williamson’, to arrive. He was to pick up an Express Mail envelope which was supposed to contain $6,000 sent to him by a collector to purchase a rare Canon J camera.

“The well-known collector was cooperating in a ‘sting’ with the authorities. The name ‘Williamson’ was the alias used by the box renter who also used the alias ‘William D. Keene’ in the scam. ‘Williamson’ arrived, picked up the Express Mail envelope and was arrested.

“He gave his name as Johnny Leon Blackwelder, age 38. His driver ‘s license gave an address in Sterling, Virginia. Sterling is a thirty-minute drive on Interstate 66 from Vienna, Virginia where a similar scam occurred in January, 1993. Both the Vienna letter and the Charlotte letter listed some of the same rare cameras.

“Mr. Blackwelder is alleged to be the perpetrator of the fraud in Charlotte and he is believed to have been behind the fraud in Virginia which was reported in the New England Journal No. 138-139.

“According to the Charlotte-Mecklenburg police, Blackwelder was released after posting $20,000 bail. A federal trial date has not been set …”

Members can view all of this article in the pdf file for 20-1 on the free members-only DVD. To join the PHSC, read the MEMBERSHIP sub-menu above (Membership Form) and the article at right (PayPal). Send payment with the form or send the form and use a credit card/your PayPal account. Have any questions? Just email Lilianne, our very patient Membership Secretary at member@phsc.ca. Easy, simple, and inexpensive.

Of course, fraud today is old hat – telephone scammers try to get your personal info, accuse you of tax evasion, etc. while the internet is rife with scammers selling non-existing goods at ridiculous prices, warning you of missing a parcel, confirming you ordered software etc,. warning you that your email or web  site will be cancelled, etc. The list goes on and on, Yawn.

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no ordinary camera …

Posted on January 8, 2025 by Robert

Ev explains the working and purpose of this strange camera

Toronto. We tend to address each item in our camera collection as model, maker, features, how it works,  etc. But some members have a deeper knowledge of science that enhances their assessment of old photographic technology.

An example of such skill was shown by our late editor, Ev Roseborough. He mentions spotting what seemed like an old colour camera but without the registration pins needed to align the various sheets. Ev passed it up at one of our fairs, but was so intrigued, he visited the exhibitor who lived nearby and bought the curious device.

It is featured on the cover of issue 20-1 and discussed in a lengthy detailed article by Ev titled “No Ordinary Camera”. In the article, Ev explains both how it works, what it is, and its’ purpose. Without Ev’s curiosity, skill, and knowledge the device would simply pass from collector to collector as just another strange looking camera of odd and curious design.

Ev’s article begins, “This unassuming specimen of camera manufacturing, when viewed from the front, would be considered well-made despite its warped baseboard.

“Many people saw it at Dave Breeze’s table during [1994] Spring Fair. Without inspection, but hastily noting the three index holes and the appearance of what might have been a repeating back, I assumed it might have been a camera for 3 color separations for such a device as the Kromskop.

“Intrigued, a week later I went to Oakville and brought it home. The plate holder bears an ivory plaque with the name of an early British scientific instrument manufacturer. The name F.E. Becker & Co. appears in an 1894 list of London chemical, glass and apparatus manufacturers.

“The company may have been taken over by W. & J. George Ltd., Proprietors, at the old address 33, 35, 37 Hatton Wall, London EC, England.

“The camera front and back are made from 3/8″ mahogany with mortise and tenon corners, brass bound. They enclose a nine-fold rectangular bellows 7 1 /4″ x 7 3/4” of fine leather. A lens panel would have been 4″ square. The back opening is 2 1 /4 x 3″. …”

To learn more about this instrument and its vital purpose, you will have to read the rest of Ev’s article. Issue 20-1 not handy? Read the issue 20-1 pdf file on the members-only free DVD. Not a member? Let’s fix that now. Go to the MEMBERSHIP sub-menu above (Membership Form), then the article at right (PayPal). Send your cheque with the form or send the form and use a credit card/your PayPal account. Questions? Email Lilianne at member@phsc.ca. Membership and the DVD are well worth the minuscule cost!

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the French have a name for it …

Posted on January 7, 2025 by Robert

Drawing of the Verascpe Stereo Camera in late 1800s. From Brian Coe’s book “CAMERAS”

Toronto. … Le Verascope. When the dry plate process and later film became common place, would-be photographers no longer needed to understand the art. Hence the art opened to the far wider world of amateurs. The down side as the process became simpler was a sharp drop in image quality as noted in an article in our Journal issue 19-5.

In late fall of 1993, Pierre Tavlitzki published an article in French on the 100 year anniversary of the famous French Verascope Stereo camera in the Bulletin Mensuel du Stéréo Club Français, Nr 773. (Tavlitzki’s article gives a fascinating history of photography and cameras from the viewpoint of stereo image creators.)

A few months later, with the author’s permission, an English translation of his article was reproduced in issue 19-5 of our Journal. Titled, “100 Years of Verascope” by Pierre Tavlitzki, the translation begins, “In a way, the year 1893 saw the beginning of amateur stereo photography, due in large part to Jules Richard, inventor of the Verascope. Just before that time, stereo was out of fashion.

“43 years before, another Frenchman, Jules Duboscq, equally skilled in the manufacture of precision instruments, began mass production of stereoscopes. Stereo remained the domain of professionals who kept the quality high until 1875, before it declined into badly taken, badly framed and badly  mounted work typical of that period which followed.

“Photography had similar problems. Before 1878 [when dry plate photography became common] the photographer had to sensitise his own plates just before use [wet plate photography] and it was necessary to have a taste (knowledge of?) for chemistry, as shown by articles read in the publication of the Société Français de Photographie, before plunging into the photographic experience.

“Negative material ready to use, in gelatine-bromide dry plate form [Richard Maddox 1871], and then readily available in rolls, thanks to Eastman (1884), were the first step which made amateur photography a reality. Without the foregoing, there would have been no Kodak (1888), no film on transparent base (1889), no motion pictures. …”

To read the rest of this article, just follow the usual drill: View the pdf file for 19-5 on the free members-only DVD. Not a member? Read the MEMBERSHIP sub-menu above (Membership Form) and the article at right (PayPal). Send your cheque with the form or send the form and use a credit card/your PayPal account. Questions? Email Lilianne at member@phsc.ca. So easy. So simple. So inexpensive.

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